plan,â I say, trying to calm her. âLet Basil and me go. Weâll see what itâs all about, and Iâll tell you everything once I return.â
Her teeth are gritted, but she knows no good would come from arguing and she gives in.
Nimble is our driver, and as usual, Jack Piper is nowhere. âI visited with Birds yesterday,â Nim says, trying to sound cheerful to lighten the mood. He glances at us in the rearview mirror. âFather finally got around to visiting her, and wouldnât you know, they spent the whole time arguing.â
âWhy?â Basil asks.
âSheâs got scars,â Nim says. âIn particular, this deep continuous gash that runs down the side of her face and her arm. Father says it ruins her. He says no man will ever marry her and that heâd like to send her overseas to this surgeon in the north who can fix it. Only, she doesnât want it fixed. She wants to keep it. She says itâs a part of her now.â
âShe should keep it, then,â I say.
âFather hates the reminder. I dare even to say that he feels guilty for whatâs happened to her. Maybe he has a conscience in there after all.â
Like burials, this is another custom I donât understand. We wear our scars where I come from.
I meet his eyes in the mirror for an instant before he looks back to the road. âIf thatâs what itâs about, donât let him send her off to that surgeon,â I say. âIf her scars remind him of what he did, he should have to look at them every day. Maybe it will change his mind the next time he goes along with the kingâs warfare.â
âItâs a nice thought, but nothing can change his mind once heâs made it up. Especially not when heâs working for the king.â He glances at me in the mirror again. âWhatâs your king like?â
âCeleste didnât talk about him?â
âShe did,â Nim says. âBut with a sort of hopefulness. I got the sense that she was idealizing things when she said he could be reasoned with.â
The kingâs castle has begun to emerge from the distance, and Iâm getting a queasy feeling in my stomach.
âWhatever you do,â Nim says, âdonât let on to the king that you know anything about the phosane. He doesnât think much of broads anyway, so all you have to do is act dense. You donât know anything. You just want to help.â
That shouldnât be hard. King Ingram makes me so uneasy that itâs hard to speak around him anyway. Maybe itâs a good thing Pen isnât here; she isnât intimidated by anyone.
Itâs a perfectly sunny day, but when we reach the castle, it doesnât glimmer as much as it has in the past. A shadow seems to loom over it.
Nimble brings the car to a stop. He turns in his seat and looks between Basil and me. âSay as little as you can,â he says. âBe dumb. If the king realizes you know more than he does about the city sinking, youâll never get what you want. Youâll be trapped here working for him.â
Two of the kingâs guards have been waiting for us, and they open the car doors so we can step out.
âKing Ingram and his guest are expecting the three of you,â a guard says. âRight this way.â
I have come to hate this castle. The waste of it. How many bricks were laid, and how much money went into this sprawling palace filled with empty rooms? On Internment, children dream about whether castles exist. I used to dream as well. But in my grandest dreams, the castle was not half the size of this one, and every room was filled with parties and food and dancing girls in sweeping dresses, not a gleaming stone gone to waste.
Iâm grateful that Basil is here beside me. When I begin to feel that Iâll drown in this world and its strange luxuries, he makes me remember who I am, where we come from.
âYouâre here,
William S. Burroughs
Stephen Coonts; Jim Defelice
Margaret Weis
Susan R. Matthews
Daniel Bergner
Karl Edward Wagner
Gil Scott Heron
Ginny Baird
Richmal Crompton
C M Gray