churchyard at Undirfell. She tried to imagine Hjördis as a murderess. Tried to imagine Hjördis stabbing her as she slept, the same way Natan Ketilsson and Pétur Jónsson had died. Those slender fingers wrapped tightly around a hilt, the silent footsteps in the night.
It was impossible.
Lauga had asked Margrét whether she thought there would be an outward hint of the evil that drives a person to murder. Evidence of the Devil: a harelip, a snaggle tooth, a birthmark; some small outer defect. There must be a warning, some way of knowing, so that honest people could keep their guard. Margrét had said no, she thought it all superstition, but Lauga had remained unconvinced.
Margrét had instead wondered if the woman would be beautiful. She knew, like everyone else in the north, that the famous Natan Ketilsson had had a knack for discovering beauty. People had thought him a sorcerer.
Margrét’s neighbour, Ingibjörg, had heard that it was Agnes who had caused Natan to break off his affair with Poet-Rósa. They had wondered if this meant the servant would be more beautiful than her. It was not so hard to believe a beautiful woman capable of murder, Margrét thought. As it says in the sagas, Opt er flagð í fögru skinni . A witch often has fair skin.
But this woman was neither ugly nor a beauty. Striking perhaps,but not the sort to inspire hungry glances from young men. She was very slender, elf-slender as the southerners would put it, and of an ordinary height. In the kitchen last night, Margrét had thought the woman’s face rather long, had noted high cheekbones and a straight nose. Bruises aside, her skin was pale, and it seemed more so because of the darkness of her hair. Unusual hair. Rare for a woman to have hair like that in these parts, thought Margrét. So long, so dark in colour: an inky brown, almost black.
Margrét drew the covers up to her chin as the officer’s snores continued their unceasing rumble. One would think an avalanche was approaching, she thought, annoyed. She felt tired, and her chest was heavy with mucus.
Images of the woman crowded behind Margrét’s closed eyelids. The animal way Agnes had drunk from the kettle. Her inability to undress herself. The woman’s hands had fumbled at the ties; her fingers had been swollen and would not bend. Margrét had been forced to help her, using her fingertips to crumble the dried mud off Agnes’s dress so that the lacings could be undone. Within the confines of the small kitchen, smoky as it was, the stench from the clothes and from Agnes’s sour body had been enough to make Margrét retch. She had held her breath as she pulled the fetid wool off Agnes’s skin, and had turned her head away when the dress fell from those thin shoulders and dropped to the floor, raising motes of dried mud.
Margrét recalled Agnes’s shoulderblades. Razor-sharp, they’d poked out from the rough cloth of her undergarment, which was yellowed around the neckline and stained a filthy brown under the armpits.
Margrét would have to burn all the woman’s clothes before breakfast. She had left them in a corner of the kitchen last night, unwilling to bring them into the badstofa. Fleas had crawled through their weave.
Somehow, she had managed to wash off most of the grime and dirt from the criminal’s body. Agnes had tried to wash herself, feebly running the damp rag over her limbs, but the grime had been so long upon her skin that it seemed ground into her pores. Eventually, Margrét, rolling up her sleeves and clenching her teeth, had snatched the rag off her and scrubbed Agnes until the cloth was soiled through. As she washed her, Margrét had – in spite of herself – looked for the blemishes Lauga had thought would be evident, a sign of the murderess. Only the woman’s eyes had hinted at something. They seemed different, Margrét thought. Very blue and clear, but too light a shade to be considered pretty.
The woman’s body was a terrain of abuse. Even
Gayla Drummond
Nalini Singh
Shae Connor
Rick Hautala
Sara Craven
Melody Snow Monroe
Edwina Currie
Susan Coolidge
Jodi Cooper
Jane Yolen