girls on their books.
Joe did none of these things.
He asked her about the agency and about the problems faced by a business where the main commodity was human beings. As the car cruised along, insulating Izzie and Joe from the rainy streets via darkened windows, she became passionate about the flaws in the industry.
Before she knew it, she’d forgotten everything except the need to explain to this man that she hated seeing so many girls messed up by fashion’s predilection for using the skinniest-limbed waifs they could find.
‘Officially, fashion people say it’s not our fault that the big look is “rexy” – a combination of sexy and anorexia,’ sheexplained when he looked baffled, ‘but of course the whole fashion industry is a factor. C’mon, if you’re a fourteen-year-old and you see an air-brushed girl in every TV commercial or magazine spread, eventually, you’ll think that’s what you’re supposed to look like, even if it’s physically impossible for you. So hello anorexia or bulimia.’
‘I’m glad I’ve got sons,’ he remarked.
‘Sons? How old are they?’ Izzie recovered at lightning speed. Of course, he’d have children. He’d spoken about a long marriage: children would be part of that.
‘Twenty-three, twelve and fourteen,’ he said, his face softening. ‘Tom, he’s the eldest. He’s in France working on his French, and possibly on the girls. Matt’s next, bit of a gap, I know, and he’s into music in a big way. Practises guitar all the time, won’t touch his math homework. Ironic, given that’s how I’ve made my money. Josh is more into his books. His school had an extra language class this term, Japanese, and he took it.’ Joe couldn’t keep the pride out of his voice. ‘Tom says his little bro is mad. Kids, huh?’
‘And they live with…?’ Izzie probed.
‘Us. We’re still in the same house while we’re sorting it all out,’ he said. ‘The separation has been a long time coming, but we’ve only recently formalised it. We’ve a big house,’ he added. ‘We want to get things right for the boys and this was the best way. No Dad moving out, not yet.’
‘Ah,’ Izzie said. Time for her to back off. No matter what instant attraction she’d had for this guy, she didn’t want to get caught up in a messy separation and divorce, or even be his rebound person. Any man getting out of a marriage after that long would be rebounding like a basketball at a Knicks’ game.
‘That’s my building,’ she told the driver as the Perfect-NY offices came into view.
The car pulled up. Joe put one hand on the door handle to let her out his side, the kerb side.
‘Would you have lunch with me one day?’ he asked.
‘You’re still married,’ Izzie pointed out. ‘In my book, that affects the whole dating process. It gets kinda messy – I’ve seen it. I don’t want to experience it.’
‘Just lunch,’ he said, and his steely grey eyes seemed to melt as they stared at hers. Izzie felt it again: that lurch of excitement inside her. She could honestly say she’d never felt anything like that before in her whole life, but what was the point? Their relationship could only be a friendship, it had no future. Otherwise, she’d be doing something really dumb.
‘Don’t move,’ Joe told the driver. ‘I’ll let Ms Silver out.’
‘Whatever you want, Mr Hansen.’
Whatever you want, Mr Hansen , thought Izzie helplessly, feeling that wave of attraction spanning out from her solar plexus again.
Just one little lunch. What was the harm in that?
TWO
The edges of the black-and-white photograph were ragged and slightly faded, yet life shone out of it as fiercely as if it had been taken moments before, instead of some seventy years previously.
Four women and five men stood around a huge stone fireplace, all clad in the evening dress of the 1930s: the women with marcelled hair, languid limbs and dresses that pooled like silk around their ankles; the men stern-faced in
Rhonda Gibson
The Cowboy's Surprise Bride
Jude Deveraux
Robert Hoskins (Ed.)
Pat Murphy
Carolyn Keene
JAMES ALEXANDER Thom
Radhika Sanghani
Stephen Frey
Jill Gregory