snowballs; and on the bus he’s at the back, in a noisy whirlpool of older boys. After school, after he’s gone through the fights that are required of any new boy at any school, he’s off helping to wage war on the boys from the Catholic school nearby. It’s called Our Lady of Perpetual Help, but the boys from our school have renamed it Our Lady of Perpetual Hell. It’s said that the boys from this Catholic school are very tough and that they conceal rocks inside their snowballs.
I know better than to speak to my brother during these times, or to call his or any boy’s attention to me. Boys get teased for having younger sisters, or sisters of any kind, or mothers; it’s like having new clothes. When he gets anything new my brother dirties it as soon as possible, to avoid having it noticed; and if he has to go anywhere with me and my mother, he walks ahead of us or crosses to the other side of the street. If he’s teased about me, he will have to fight some more. For me to contact him, or even to call him by name, would be disloyal. I understand these things, and do my best. So I am left to the girls, real girls at last, in the flesh. But I’m not used to girls, or familiar with their customs. I feel awkward around them, I don’t know what to say. I know the unspoken rules of boys, but with girls I sense that I am always on the verge of some unforeseen, calamitous blunder. A girl called Carol Campbell makes friends with me. In a way she has to, because she’s the only school bus girl in my grade. The children who come on the school bus, who eat their lunches in the cellar instead of going home, are considered a little foreign, and are in danger of finding themselves without a partner when the bell rings and it’s time to line up. So Carol sits beside me on the school bus, holds my hand in line, whispers to me, eats her lunch beside me on the wooden bench in the cellar. Carol lives in one of the older houses on the other side of the abandoned orchard, closer to the school, a yellow brick house with two stories and green-painted shutters framing the windows. She’s a stubby girl with a frequent laugh. She tells me her hair is honey-blond, that her haircut is called a pageboy, that she has to go to the hairdresser’s every two months to get it done. I haven’t known there are such things as pageboys and hairdressers. My mother doesn’t go to the hairdresser’s. She wears her hair long, pinned up at the sides, like the women in wartime posters, and my own hair has never been cut. Carol and her younger sister have matching outfits for Sundays: fitted brown tweed coats with velvet collars, round brown velvet hats with an elastic under the chin to hold them on. They have brown gloves and little brown purses. She tells me all this. They are Anglicans. Carol asks me what church I go to, and I say I don’t know. In fact we never go to church.
After school Carol and I walk home, not the way the school bus goes in the morning but a different way, along back streets and across a decaying wooden footbridge over the ravine. We’ve been told not to do this alone, and not to go down into the ravine by ourselves. There might be men down there, is what Carol says. These are not ordinary men but the other kind, the shadowy, nameless kind who do things to you. She smiles and whispers when saying men, as if they are a special, thrilling joke. We cross the bridge lightly, avoiding the places where the boards have rotted through, on the lookout for men. Carol invites me to her house after school, where she shows me her cupboard with all her clothes hanging in it. She has a lot of dresses and skirts; she even has a dressing gown, with fuzzy slippers to match. I have never seen so many girls’ clothes in one place.
She lets me look at her living room from the doorway, although we aren’t allowed to go into it. She herself can’t go in except to practice the piano. The living room has a sofa and two chairs and matching drapes,
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