memory that seemed horribly clear was the look of disgust and shame on his young wife’s face when he tried to dance with her at the ball. Then there was this man in the black mask who promised to look after him. Of his time in the room with Lady Martesen he seemed to recall nothing but his own fear, his dream of drowning and pain.
Krall realised he was hungry. He got to his feet and began to stamp away from the castle towards a little tavern he knew where he could get a good beer and simple cooking. Dining so often from the court kitchen was playing merry devils with his digestion. He looked at the higher ranks of the old nobility with a new respect, having tasted the riches on which they subsisted. Clode never claimed he was innocent. He left that to his pretty wife. All he said was he had no memory of doing harm to Lady Martesen. That he had no memory of his first meeting with Krall either. Krall hesitated on the tavern steps. He had to admit he liked Daniel Clode. He seemed an honest man, and a brave one. He had a haunted look, but Krall was reasonably sure it was not fear of the axe that disturbed his rest and hampered his recovery, but those odd visions of Festennacht. Krall could give a full account of the movements, histories and passions of all the principals, but as to the facts of Carnival night he could only say that Lady Martesen should not be dead, though she was, and though Clode was the only man who, it seemed, could have killed her, Krall had doubts about his guilt. Well, it was all written down. Let these clever friends of Mr Clode’s worry at the problems now. He pushed the door to the tavern open and welcomed the sour yeasty smell of the beer, and the sharp tang of liver coming off the grill. He breathed deeply and found a place among the tables.
The carriage turned down a road on the far side of the garden, and after a significant journey down the east flank of the palace, the horsemen preceded them under a great arch into one of the interior courtyards. The Hussars wheeled about and exited at once, all flashing braid and polished stirrups. The carriage halted, and Harriet peered out of the window.
A gentleman was there to meet them, dressed magnificently in pink satin and with a small squadron of liveried footmen behind him. Two stepped forward and with the formalised movements of ballet dancers, they let down the steps of the coach and, as Harriet emerged, one, without looking at her, offered her his arm to help her descend. The footman’s wig was such a startling white she had to fight the impulse to reach out and touch it.
The cobbles looked as if they had only just been laid, so clean and neat they were. The man in pink satin introduced himself in slightly affected French as the Court Harbinger and requested the honour of showing them to their apartments. Harriet replied in as flowery a manner as she knew how. She glanced backwards at Michaels as the gentlemen took their turn at exchanging civilities. He winked at her and climbed down from the box, his leather bag over his shoulder. Her maid emerged from the other carriage and shot a look of such concentrated suspicion at one of the footmen, he blinked. Monsieur Clemme waved his hand and the liveried footmen swarmed over the luggage like scarlet ants attacking the picnic meats. Harriet realised she was being addressed by the magnificent Monsieur Clemme once more.
‘Mrs Clode is waiting for you in your rooms, madam.’ He bowed and offered his arm.
The servants of such a palace as Ulrichsberg naturally prided themselves on not being overly impressed by the rank and fame of visitors to the court. Monarchs, Lords and luminaries of the world of music and art passed through Ulrichsberg continually, but they watched the arrival of the Englishwoman and her companions with interest. A little knot of some of the more senior servants in the east wing had found it convenient to pause in their labours and watch as the carriage was unloaded and the
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