faster.â
âWeâll clean up,â David interrupts, indicating himself and me. My brilliant boyâwhy didnât I think of that? We get to be heroes; they get to leave. Tess heads for her office to finish up, and David and I begin by stacking the chairs.
âYou know thereâs a ghost in here,â he stage-whispers.
âThere is not.â
âYeah, there is. This girl saw him a few years ago. Right there, behind you. Scared the shit out of her.â
âYouâre carrying this other world thing a bit too far, my friend,â I warn him, glancing over my shoulder.
âHe was a cop. He murdered a migrant worker back when this was a police garage. Thatâs why he has to stay around.â His voice is getting creepy.
âStop it.â Chairs done, I start picking up props and the other random junk around the set.
âItâs true. Thereâs certain places a video camera wonât work. Thatâs one way you know for sure. Oh, and the security guy told me that when he hears music playing in here, like in the early early morning, thereâs never anyone inside. Even Tess says thatââ
âStop! Youâre freaking me out.â I grab the last thing I seeâa backpack someoneâs shoved under the platform upstage left. He doesnât answer. I look around and I donât see him.
âDavid?â
Suddenly the fluorescents go out. I take a huge, fast, deep breath. âDavid. Quit playing around.â Still no answer. âI mean itâthis isnât funny.â I start trying to find my way to the wall where the fluorescent switch is, and bump my shin on a platform. Hard.
âShit!â I lose my balance and topple forward to my knees, onto the platform. The backpack Iâm carrying goes flying; I can hear books sliding out. The fluorescent lights turn on.
âAre you okay?â David suppresses a chuckle.
âPerfect, thanks. Iâm just bleeding here.â I sit down to examine my scratch.
âPoor baby.â He barely manages not to laugh as he sits down beside me.
âAsshole.â
âOooh, ow. I was just playing.â
âYou turned out the frickinâ lights.â
âAnd you made a frickinâ mess.â
I look at the junk that spilled over the platform. The sequined makeup bag is way too familiar. âOh fine, itâs Staceyâs stuff.â
David clutches his hands and peers nervously around the theater. âOh God. Not Stacey! We better run!â I am totally in love with this guy . One by one he tosses her books, like basketballs, into the backpack.âUh-oh.â He holds up a small, elegant journal, raises his eyebrows, and asks, âWe canât, right?â
âRight.â
âBecause she would never read something that didnât belong to her. âWith a wink, he drops it into the pocket of his jacket and we finish in silence, conspirators.
âAre you okay here alone?â David asks Tess when weâre ready to go. Heâs doing his Nice Guy act.
âYes, I am, thank you,â Tess says, no trace of teacher or directorâjust another person.
SEVENTEEN
We decide weâll only read the pages where we see our names. Then weâll tell Tess we forgot something and Iâll pretend to look for it while David slips the journal into the backpack. Staceyâll find it Monday. No one gets hurt and itâs no big deal, so why is my heart pounding?
âJump to the middle?â David asks.âOr do you think weâll be on the very first page?â
âWe will definitely not be on the first page.â
We settle in to the backseat of his car, cuddling, and scan the book for our names.
âGod, sheâs got terrible handwriting,â I say. We run our eyes down each page and David flips to the next one every five seconds or so. She uses initials mostly, but no Kâs or Dâs show up.
âWait a minute, hold
Annette Freeman
Regan Black
Anna Michels
Per Wahlöö
Josh Gates
Spencer Baum
Robin Stevenson
Danielle Slater, Allegra Ryan
Tara Chevrestt
Phyllis Irene and Laura Anne Gilman Radford