City of Night

City of Night by John Rechy

Book: City of Night by John Rechy Read Free Book Online
Authors: John Rechy
Tags: Fiction, Gay
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* A * T * I * O * N
     
               I had been in the islandcity several weeks now, and already I had had two jobs, briefly: each time thinking now I would put down Times Square. But like a possessive lover—or like a powerful drug—it lured me. FASCINATION! I stopped working.... And I returned, dazzled, to this street. The giant sign winked its welcome: FASCINATION!
               I surrendered to the world of Times Square, and like a hype who needs more and more junk to keep going, I haunted that world not only at night now but in the mornings, the afternoons....
               That world of Times Square that I inhabited extends from 42nd Street to about 45th Street, from grimy Eighth Avenue to Bryant Park—where, nightly, shadows cling to the ledges: malehungry looks hidden by the darkness of the night; and occasionally, shadowy figures, first speaking briefly, disappear in pairs behind the statue with its back to the library and come out after a few frantic moments, from opposite directions: intimate nameless strangers joined for one gasping brief space of time. Periodically the newyork cop comes by meanly swinging his stick superiorly, sometimes flashing his light toward the bushes—and the shadows scatter from the ledges, the benches, the trees—walking away aimlessly.
               But that world exists not only along the streets; it extends into the movie theaters. And the moviehouse toilets on 42nd Street and the toilets in the subways—with the pleading scrawled messages—form the boiling subterranean world of Times Square. Steps lead down from the moviehouse lobbies as if into a dungeon—and in the toilet, the purpose may be realized, and you walk up the steps—aware of the danger after the danger is over—you and he complete strangers again after the cold intimacy. You may move from the dungeon into the cavern of the moviebalconies and try to score again: swallowed instantly by that giant wolfmouth of dark at the opening of which the dreamworld of a certain movie is being projected: the actors like ghosts from an altogether Different world....
               By now winter was approaching in New York. Hurricanes and threats of hurricanes had stopped, and the air was clear. Daily the leaves turned browner, the orange disappeared. Along the walks in the parks, leaves fell like rejected brown stars.
               As the weather had changed, from hurricane warnings to cool, I had stood along 42nd Street and Bryant Park waiting to be picked up, and with the changing season I felt a change within me too: a frantic lonesomeness that sometimes took me, paradoxically, to the height of elation, then flung me into depression. The figure of my Mother standing by the kitchen door crying, watching me leave, hovered ghostlike over me, but in the absence of that overwhelming tearing love—away from it if only physically—I felt a violent craving for something indefinable.
               Throughout those weeks, on 42nd Street, the park, the moviehouses, I had learned to sift the different types that haunted those places: The queens swished by in superficial gayety—giggling males acting like teenage girls; eyeing the youngmen coquettishly: but seldom offering more than a place to stay for the night. And I could spot the scores easily—the men who paid other men sexmoney, anywhere from $5.00—usually more—but sometimes even less (for some, meals and drinks and a place to stay); the amount determined by the time of the day, the day of the week, the place of execution of the sexscene: their apartment, a rented room, a public toilet; their franticness, your franticness; their manner of dress, indicating affluence or otherwise; the competition on the street—the other youngmen stationed along the block like tattered guards for that defeated army which, Somehow, life had spewed out, Rejected.
               I found that you cant always tell a score by his age

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