is turned on points, is whirled
On wheels, Tibetan prayer wheels, French verb wheels,
The toothy wheels of progress, the terrible torque
Insisting, and in the sky, even above New York
Rotate the marvelous four-fangled seals
Ezekiel saw. The mother-of-pearled
Home of the bachelor oyster lies
Fondled in fluent shifts of bile and lime
As sunlight strikes the water, and it is of our world,
And will appear to us sometime where the finger is curled
Between the frets upon a mandolin,
Fancy cigar boxes, and eyes
Of ceremonial masks; and all
The places where Kilroy inscribed his name,
For instance, the ladies’ rest room in the Gare du Nord,
The iron rump of Buddha, whose hallowed, hollowed core
Admitted tourists once but all the same
Housed a machine gun, and let fall
A killing fire from its eyes
During the war; and Polyphemus hurled
Tremendous rocks that stand today off Sicily’s coast
Signed with the famous scrawl of our most travelled ghost;
And all these various things are of our world.
But what’s become of Paradise?
Ah, it is lodged in glass, survives
In Brooklyn, like a throwback, out of style,
Like an incomprehensible veteran of the Grand
Army of the Republic in the reviewing stand
Who sees young men in a mud-colored file
March to the summit of their lives,
For glory, for their country, with the flag
Joining divergent stars of North and South
In one blue field of heaven, till they fall in blood
And are returned at last unto their native mud—
The eyes weighed down with stones, the sometimes mouth
Helpless to masticate or gag
Its old inheritance of earth.
In the sweat of thy face shalt thou manage, said the Lord.
And we, old Adams, stare through the glass panes and wince,
Fearing to see the ancestral apple, pear, or quince,
The delicacy of knowledge, the fleshed Word,
The globe of wisdom that was worth
Our lives, or so our parents thought,
And turn away to strengthen our poor breath
And body, keep the flesh rosy with hopeful dreams,
Peach-colored, practical, to decorate the bones, with schemes
Of life insurance, Ice-Cream-After-Death,
Hormone injections, against the
mort
’
Saison
, largely to babble praise
Of Simeon Pyrites, patron saint
Of our Fools’ Paradise, whose glittering effigy
Shines in God’s normal sunlight till the blind men see
Visions as permanent as artists paint:
The body’s firm, nothing decays
Upon the heirloom set of bones
In their gavotte. Yet we look through the glass
Where green lies ageless under snow-stacked roofs in steam-
Fitted apartments, and reflect how bud and stem
Are wholly flesh, and the immaculate grass
Does without buttressing of bones.
In open field or public bed
With ultraviolet help, man hopes to learn
The leafy secret, pay his most outstanding debt
To God in the salt and honesty of his sweat,
And in his streaming face manly to earn
His daily and all-nourishing bread.
JAPAN
It was a miniature country once
To my imagination; Home of the Short,
And also the academy of stunts
Where acrobats are taught
The famous secrets of the trade:
To cycle in the big parade
While spinning
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