-- and
thousands of people bought the book -- also good news. It turns out that, as
near as anyone can tell, distributing free electronic versions of books is a
great way to sell more of the paper editions, while simultaneously getting the
book into the hands of readers who would otherwise not be exposed to my work.
I still don't know how it is artists will earn a living in the age of the
Internet, but I remain convinced that the way to find out is to do basic
science: that is, to do stuff and observe the outcome. That's what I'm doing
here. The thing to remember is that the very
worst
thing you can do to me as
an artist is to not read my work -- to let it languish in obscurity and
disappear from posterity. Most of the fiction I grew up on is out-of-print, and
this is doubly true for the short stories. Losing a couple bucks to people who
would have bought the book save for the availability of the free electronic text
is no big deal, at least when compared to the horror that is being irrelevant
and unread. And luckily for me, it appears that giving away the text for free
gets me more paying customers than it loses me.
You can find the canonical version of this file at
http://craphound.com/place/download.php
If you'd like to convert this file to some other format and distribute it, you
have my permission, provided that:
You don't charge money for the distribution
You keep the entire text intact, including this notice, the license below, and
the metadata at the end of the file
You don't use a file-format that has "DRM" or "copy-protection" or any other
form of use-restriction turned on
If you'd like, you can advertise the existence of your edition by posting a link
to it at http://craphound.com/place/000012.php
--
Here's a summary of the license:
http://creativecommons.org/licenses/by-nd-nc/1.0
Attribution. The licensor permits others to copy, distribute,
display, and perform the work. In return, licensees must give the
original author credit.
No Derivative Works. The licensor permits others to copy,
distribute, display and perform only unaltered copies of the work
-- not derivative works based on it.
Noncommercial. The licensor permits others to copy, distribute,
display, and perform the work. In return, licensees may not use
the work for commercial purposes -- unless they get the
licensor's permission.
And here's the license itself:
http://creativecommons.org/licenses/by-nd-nc/1.0-legalcode
THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS
CREATIVE COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK
IS PROTECTED BY COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF
THE WORK OTHER THAN AS AUTHORIZED UNDER THIS LICENSE IS
PROHIBITED.
BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT
AND AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE. THE LICENSOR
GRANTS YOU THE RIGHTS CONTAINED HERE IN CONSIDERATION OF YOUR
ACCEPTANCE OF SUCH TERMS AND CONDITIONS.
Definitions
a. "Collective Work" means a work, such as a periodical issue,
anthology or encyclopedia, in which the Work in its entirety in
unmodified form, along with a number of other contributions,
constituting separate and independent works in themselves, are
assembled into a collective whole. A work that constitutes a
Collective Work will not be considered a Derivative Work (as
defined below) for the purposes of this License.
b. "Derivative Work" means a work based upon the Work or upon the
Work and other pre-existing works, such as a translation, musical
arrangement, dramatization, fictionalization, motion picture
version, sound recording, art reproduction, abridgment,
condensation, or any other form in which the Work may be recast,
transformed, or adapted, except that a work that constitutes a
Collective Work will not be considered a Derivative Work for the
purpose of this License.
c. "Licensor" means the individual or entity that offers the Work
under the terms of this License.
d.
thousands of people bought the book -- also good news. It turns out that, as
near as anyone can tell, distributing free electronic versions of books is a
great way to sell more of the paper editions, while simultaneously getting the
book into the hands of readers who would otherwise not be exposed to my work.
I still don't know how it is artists will earn a living in the age of the
Internet, but I remain convinced that the way to find out is to do basic
science: that is, to do stuff and observe the outcome. That's what I'm doing
here. The thing to remember is that the very
worst
thing you can do to me as
an artist is to not read my work -- to let it languish in obscurity and
disappear from posterity. Most of the fiction I grew up on is out-of-print, and
this is doubly true for the short stories. Losing a couple bucks to people who
would have bought the book save for the availability of the free electronic text
is no big deal, at least when compared to the horror that is being irrelevant
and unread. And luckily for me, it appears that giving away the text for free
gets me more paying customers than it loses me.
You can find the canonical version of this file at
http://craphound.com/place/download.php
If you'd like to convert this file to some other format and distribute it, you
have my permission, provided that:
You don't charge money for the distribution
You keep the entire text intact, including this notice, the license below, and
the metadata at the end of the file
You don't use a file-format that has "DRM" or "copy-protection" or any other
form of use-restriction turned on
If you'd like, you can advertise the existence of your edition by posting a link
to it at http://craphound.com/place/000012.php
--
Here's a summary of the license:
http://creativecommons.org/licenses/by-nd-nc/1.0
Attribution. The licensor permits others to copy, distribute,
display, and perform the work. In return, licensees must give the
original author credit.
No Derivative Works. The licensor permits others to copy,
distribute, display and perform only unaltered copies of the work
-- not derivative works based on it.
Noncommercial. The licensor permits others to copy, distribute,
display, and perform the work. In return, licensees may not use
the work for commercial purposes -- unless they get the
licensor's permission.
And here's the license itself:
http://creativecommons.org/licenses/by-nd-nc/1.0-legalcode
THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS
CREATIVE COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK
IS PROTECTED BY COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF
THE WORK OTHER THAN AS AUTHORIZED UNDER THIS LICENSE IS
PROHIBITED.
BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT
AND AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE. THE LICENSOR
GRANTS YOU THE RIGHTS CONTAINED HERE IN CONSIDERATION OF YOUR
ACCEPTANCE OF SUCH TERMS AND CONDITIONS.
Definitions
a. "Collective Work" means a work, such as a periodical issue,
anthology or encyclopedia, in which the Work in its entirety in
unmodified form, along with a number of other contributions,
constituting separate and independent works in themselves, are
assembled into a collective whole. A work that constitutes a
Collective Work will not be considered a Derivative Work (as
defined below) for the purposes of this License.
b. "Derivative Work" means a work based upon the Work or upon the
Work and other pre-existing works, such as a translation, musical
arrangement, dramatization, fictionalization, motion picture
version, sound recording, art reproduction, abridgment,
condensation, or any other form in which the Work may be recast,
transformed, or adapted, except that a work that constitutes a
Collective Work will not be considered a Derivative Work for the
purpose of this License.
c. "Licensor" means the individual or entity that offers the Work
under the terms of this License.
d.
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