wood-piles drew January's eye. But when he looked, it wasn't Rose's red jacket, but a red-striped tignon worked into five points, and a red-striped skirt, dirty around the hem with smears of earth, and the flash of cheap glass pearls.
For one moment the woman raised her head, and January looked into the eyes of Queen Régine.
FOUR
“Are you sure?” asked Rose worriedly. “Because I haven't seen her.”
“Positive. I think she was carrying a bundle of some kind, though I can't swear to it.”
Rose said, “Hmmn.”
They sat together on a couple of logs, in a sort of niche among the cordwood. Though the steam engine wasn't noisy, its action vibrated the entire boat, and, beyond the corner of the 'tween-decks, if he stood up, January could catch a glimpse of the black monster of the turning-wheel. The stair to the upper promenade threw barred sun and shadow over them; beyond the rails, the brown-green chop of the river widened between them and the dreary tangle of dessicated snags, withered debris, and mud that stretched below the levees.
Smoke-smell drifted through the galley door, as well as the sound of Eli the cook cursing at the open fire in its huge box of sand. The purser's office was a flimsy cubicle off the galley passageway, and Hannibal's only comment on its lock was “Makes me glad I haven't any valuables stored there.” There was a door to the boiler-room there, too, and deck-hands carried wood in that way from the supplies on the promenades. It would be tricky, January realized, to get at the locked door of the purser's office—and the record of who owned which trunks—within.
If, that is,
he reflected,
by tonight we're not at the center of an uproar brought on by Queen Régine unmasking Hannibal and me as partners rather than master and slave.
In which case she'll be right, with a vengeance, about the gold dissolving from my hand.
Rose asked, “So what do we do?”
“Warn Hannibal,” said January. “I'll stay on the upper deck as much as possible. If she's traveling deck-passage, she has to show up here sometime. . . .”
“In which case she'll recognize me, if she knew you as Cosette's schoolmaster.” Rose tucked her small bedroll like a pillow behind her back where she leaned against the wall. “She may have come on board for some other reason that has nothing to do with you and me, and gotten off again, you know. Up until the boat was shoved away from the wharf, market-women were coming on and off. She has to do
something
for a living other than put hexes on schoolgirls, and it isn't as if there were a lot of boats leaving this morning.”
But January still felt profoundly uneasy as the
Silver Moon
thrashed its way past the river-side plantations that lay north of New Orleans, and the long, low green mound of the levee that hid the dark oceans of cane-field beyond. From the boiler-deck above, white passengers—and their servants as they came and went—could look over the levee at the great houses they passed, white-pillared American mansions in the latest pseudo-Greek style, or the long, brightly-painted French Creole dwellings, wrapped in their galleries that channeled the river breeze. From the main deck, all that could be seen was the levee, the batture below it, and the dark bobbing snags that pierced the shining brown water as it shelved down to the channel.
The boat hugged the bank as close as it dared, so that the probing black branches stabbed up through the water only six or seven feet from the rail. Now and then January could hear Kevin Molloy's booming Irish voice hurling instructions to the deck-hands, or the clanging of the bells that communicated from the pilot's cupola up on the hurricane deck down to the engine-room. A good pilot, January knew, kept his boat as close to the shore as possible, to avoid burning up excessive wood fighting the current mid-channel. It was a narrow margin to walk, between the force of the river and the perils close to the banks.
Some of
Patricia Reilly Giff
Stacey Espino
Judith Arnold
Don Perrin
John Sandford
Diane Greenwood Muir
Joan Kilby
John Fante
David Drake
Jim Butcher