supported on blocks of wood. The dead chicken lay in the corner, a trickle ofred slipping from her beak. When Maria entered she saw it without surprise. Arturo watched Federico and August, who watched their mother. They were disappointed that the dead chicken had not annoyed her.
‘Everybody has to take a bath right after supper,’ she said. ‘Grandma’s coming tomorrow.’
The brothers set up a groaning and wailing. There was no bathtub. Bathing meant pails of water into a washtub on the kitchen floor, an increasingly hateful task to Arturo, since he was growing now and could no longer sit in the tub with any freedom.
For more than fourteen years Svevo Bandini had reiterated his promise to install a bathtub. Maria could remember the first day she walked into that house with him. When he showed her what he flatteringly termed the bathroom, he had quickly added that next week he would have a bathtub installed. After fourteen years he was still affirming it that way.
‘Next week,’ he would say, ‘I’ll see about that bathtub.’
The promise had become family folklore. The boys enjoyed it. Year after year Federico or Arturo asked, ‘Papa, when we gonna have a bathtub?’ and Bandini would answer in profound determination, ‘Next week,’ or, ‘The first of the week.’
When they laughed to hear him say it over and over again, he glared at them, demanded silence and shouted, ‘What the hell’s so funny?’ Even he, when he bathed, grumbled and cursed the washtub in the kitchen. The boys could hear him deprecating his lot with life, and his violent avowals.
‘Next week, by God, next week!’
While Maria dressed the chicken for dinner, Federico shouted: ‘I get the leg!’ and disappeared behind the stovewith a pocket knife. Squatting on the kindling wood box, he carved boats to sail as he took his bath. He carved and stacked them, a dozen boats, big and small, enough wood indeed to fill the tub by half, to say nothing of water displacement by his own body. But the more the better: he could have a sea-battle, even if he did have to sit on some of his craft.
August was hunched in the corner studying the Latin liturgy of the altar boy at Mass. Father Andrew had given him the prayer-book as a reward for outstanding piety during the Holy Sacrifice, such piety being a triumph of sheer physical endurance, for whereas Arturo, who was also an altar boy, was always lifting his weight from one knee to the other as he knelt through the long services of High Mass, or scratching himself, or yawning, or forgetting to respond to the priest’s words, August was never guilty of such impiety. Indeed, August was very proud of a more or less unofficial record he now held in the Altar Boy Society. To wit: He could kneel up straight with his hands reverently folded for a longer period of time than any other acolyte. The other altar boys freely acknowledged August’s supremacy in this field, and not one of the forty members of the organization saw any sense in challenging him. That his talent as an endurance-kneeler went unchallenged often annoyed the champion.
August’s great show of piety, his masterful efficiency as an altar boy, was a matter of everlasting satisfaction to Maria. Whenever the nuns or members of the parish mentioned August’s ritualistic proclivities, it made her glow happily. She never missed a Sunday Mass at which August served. Kneeling in the first pew, at the foot of the main altar, the sight of her second son in his cassock and surplice lifted her to fulfillment. The flow of his robes as he walked, theprecision of his service, the silence of his feet on lush red carpet, was reverie and dream, paradise on earth. Some day August would be a priest; all else became meaningless; she could suffer and slave; she could die and die again, but her womb had given God a priest, sanctifying her, a chosen one, mother of a priest, kindred of the Blessed Virgin …
With Bandini it was different. August was very
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