thing gets out to the public, and he’d have the tabloids all over him.”
Jackie nodded. “True enough. The bastard was avoiding everything though. He was doing his damnedest to appease us and get us the hell out.”
“Worked pretty well, too,” Laurel said with a chuckle. “We don’t have much more than what we came with. Very . . . persuasive man.”
Jackie jumped on the gas and sped around a slower-moving car before cutting back in and braking for a sharp turn onto the freeway ramp. “It’s those fucking eyes. I want to know what kind of trick he was pulling to do that.”
“I’d guess it has something to do with that power they have, or maybe it’s just because he was kinda hot.”
Jackie snorted. “Did you see the saddle above his desk? Damn cowboy wannabes. I can’t stand them. This case is heading right into the Twilight Zone, isn’t it?”
“I’m pretty sure they know something they aren’t telling us, and the cowboy schtick was real, guarantee it.”
“Ha! Pretty sure? I’ll bet you a box of Annabelle’s finest that they are hip deep in this shit. Anderson had some connection to that penny, I’m positive. Maybe Denny or Hauser can dig up something on that. I don’t like cowboys.”
Laurel sighed and sank back farther into the seat. “Maybe. We don’t have much to go on with them. The connection to that old murder case is flimsy. And you do too like cowboys. Haven’t you seen, like, every Eastwood Western ever made?”
“We work with flimsy all the time, Laur. Flimsy Bullshit Investigations. That’s us. I want to find out what he knows though. He knows something and doesn’t want to say. If there’s no direct involvement, why not tell us? Whom or what are they protecting?”
Her eyes were closed. “All good questions, grasshopper. You must meditate upon them and seek enlightenment.”
“Who’s Grasshopper?”
Laurel smiled. “Never mind. Just get me home. I really need to sleep this off, and admit it—you have a disturbing attraction to cowboys.”
She laughed. “Eastwood kicked ass and, like any good man, didn’t talk much.”
“Mr. Anderson didn’t say much either, smart-ass.”
After dropping Laurel off at her cute little bungalow house, Jackie headed back downtown and pulled into Marly’s, a local bar not far from headquarters, frequented by much of the building’s staff. A shot or two would chill her nerves and set her mind on track to see if any of the pieces were fitting together in a way she hadn’t noticed yet.
In her usual booth in the corner at one end of the bar, Jackie picked up the last fry from her basket and swirled it around in the dregs of the remaining ketchup. The crowd at Marly’s had hit the dinnertime peak. It was noisy, dim, and bustling, and she wished her timing had been better. She liked it far better when the place was half empty and you could hear the jukebox. Billie Holiday was singing, and only every third word could be heard.
More importantly, you could run a tab with Marly, and he didn’t believe water had a place in his bar other than for washing dishes. The drinks were strong. Jackie washed down her last fry with the last of her beer, setting the pint glass next to the pair of empty shot glasses Shelly had brought earlier. Shelly was a smart waitress. She never let more than two empties sit on your table. After a while you tended to forget exactly how many you had drank. Jackie could not remember. Six shots? Or was it just four? If it had been six, she would have to wait a bit before leaving. Sadly, the warmth of the tequila had not worked its wonders in untangling the day’s events, leaving her muddled and annoyed.
Across the room—through the tangled web of eaters, those meandering with drinks from the bar to their table, and a light haze of smoke in the dim lighting—some of the FBI guys were gathered at a table. Jackie had watched them come in, and, fortunately, they had not noticed her. She had moved to the other
Lady Brenda
Tom McCaughren
Under the Cover of the Moon (Cobblestone)
Rene Gutteridge
Allyson Simonian
Adam Moon
Julie Johnstone
R. A. Spratt
Tamara Ellis Smith
Nicola Rhodes