was antique, almost obsolete. Frenchmen had not spoken the words for many centuriesâ¦.
The dark ominously shaped shadow moved, continued down the stairs and came toward them. It stopped just outside the archway in the darkness of the hall, beyond the edge of light. But Pat and Karl could see more than they wanted of the details of that nightmare of a head.
Zoological authorities all agree that the face of the vampire bat is the most repulsive countenance in the whole realm of animal physiognomy. Pat and Karl were looking at such a face magnified many times.
The shape of the head, if it was like anything else at all possessed by any creature that ever walked or flew the face of the earth, was most nearly similar to that of the wolf. It had the same hungry snout and long, razor-sharp canine teeth. But it was a black wolfish head straight out of some maniacâs disordered dream. Large, leathery, pointed ears stood up from the sides and top of the head and the nose bore a curious erect, spear-shaped appendage characteristic of the bat family. The mouth grinned diabolically and the small black eyes had a bright look.
The figure spoke again, its voice harsh. â Tournez vous. Ã la fois! âThe gun indicated Karl.
Karl obeyed slowly, turning his back on the archway and the figure beyond. His eyes rested on the nearby table and he tried to sidestep in its direction. Beneath its top edge was the hidden spring that controlled a trapdoor just within the archway. If he could get to it and if the Bat should come forward into the roomâ¦.
But Karl never made it. The Bat moved too quickly. As soon as Karlâs back had turned, he took three long strides forward and his gun hand swung. The hard muzzle of the automatic caught Karl behind the ear. He crumpled to the floor. Pat screamed.
Then, as the thing moved toward her, one arm outstretched, the phone rang.
The Batâs head turned quickly. â Répondez! â He motioned at the phone with his gun. Pat, partly from shock, partly from anger at what he had done to Karl, did not obey.
The fact that any human sound other than a batâs shrill squeal could issue from that mouth was astounding enough. But what he said now was even more strange.
â Answer that! Be quick about it! And no funny business .â
That broke the spell. Pat, as much from relief as anything else, laughed and got control of herself.
âOh,â she said, âIt speaks English.â
She got up and took the phone. The Bat, his gun on her every second, watched her intently.
In the phone she heard Diavoloâs voice calling from Chandlerâs office and asking her to get ready to go with him to meet the Bat. Her mind worked like lightning.
âIâ m sorry. I couldnât possibly, I have a date tonight,â she said breathlessly. âYou should have called earlier, darling.â
But that wasnât all she did. Nor did the Bat see the slight intermittent scratching movement of her pointed thumbnail against the side of the phone receiver. The Bat didnât see it, but Diavolo heard it. The sounds carried a message to him which, translated, read: â Iâve met the Bat already! Heâs here! Hurry! â
And then, after Don had hung up, she stalled, pretending to carry on a conversation. This didnât work for long. Impatiently the gun moved closer. Pat finally had to hang up.
Then, at once â as she was replacing the receiver â she felt the gloved hands around her neck and the two fingers that pressed quickly and steadily in the hollows behind her ears. Blackness fell swiftly like a great curtainâ¦.
The black sedan bearing Mickey and Don Diavolo roared down Eleventh Avenue, southward beneath the pillars of the elevated highway where traffic lights were few. But even so, they were too late.
In the alleyway behind the house, Don pulled the car to a screeching stop.
âTake her in, Mickey,â he ordered as he leaped
Ross E. Lockhart, Justin Steele
Christine Wenger
Cerise DeLand
Robert Muchamore
Jacquelyn Frank
Annie Bryant
Aimee L. Salter
Amy Tan
R. L. Stine
Gordon Van Gelder (ed)