Delhi Noir by Hirsh Sawhney

abandon my post and rescue my sheet straight away. What if there were secret caches of oil in the wood that were even now destroying it?
    I got down on the ground and armed myself with a piece of wood from the pyre. Then I crept around the old man and hit him on the back of his head. He turned just as I swung, perhaps his hearing was especially sharp or else it was pure coincidence, and the branch smashed into his face, breaking his nose. He let out a cry and then fell slowly, like in a movie. I dropped the branch and dashed around to the other side of the pyre, scrambling up the unburnt logs even though the heat was something terrible.
    Through the smoke and my tears I saw the edge of a sheet gleaming whitely just above my left hand. One more foothold, and I had the sheet grasped firmly and pulled.
    I hadn’t thought it out at all though. I could have saved myself the trouble by simply stealing the clothes of the unconscious guard. Instead I burnt my hands and feet and almost got myself killed. When I used a burning branch to free the sheet, the body came along with it. We both tumbled to the ground, the body’s half-burnt face on top of me. I don’t know how but his eyes were open and staring into mine expressionlessly.
    I threw the body off me—it was unbelievably heavy—and grabbed the sheet on which it had lain. The sheet still smelled sweet like rose water, and I wrapped it around my waist like a lungi, taking care to conceal the burnt bits. Then I ran, I ran as fast as I could out of that place of death.
    I made it to the Lodhi Hotel compound on the other side of the road. Of course, there was no Lodhi Hotel left. It had been bought and torn down, Russian kitsch to be replaced by modern kitsch. Back in the old days the hotel had belonged to the government and was filled with pretty Russian hookers. I had liked it then—the idea of a government building filled with hookers always managed to stir my desire. Now it was a construction site.
    At first no one bothered me. I wandered amongst the screens and piles of rubble, drinking in the sweet music of many chisels hitting stone. Then I heard a voice behind me. “Hey, what do you want? This is private property,” it barked. I ignored the bark. That’s what you do, ignore dogs that bark. I had a lot of experience with dogs.
    The music of the chisels stopped. Everyone was looking at me.
    “This is no dharamshala, this is a hotel. You will get no money or food here. Get going!” the guard shouted, banging his stick. I noticed that his uniform was black and red and he looked out of place in that world of sandstone and cool white marble.
    “ You get going,” I said calmly, “ you don’t belong here.”
    The man raised his stick and would have struck me but I was saved by the appearance of a pretty blond creature in a kurta and hippie skirt. “Stop, stop!” she called.
    The guard immediately became deferential.
    “What does this man want?” the woman asked.
    “I don’t know, madam,” he replied dubiously. “But don’t worry, I’ll chase him away. He’s probably a thief.”
    “I am no thief.” I said scornfully, “I was just looking.”
    She turned to me, and to my surprise she actually looked at my body and my face. And I felt them respond to her.
    “Work, I want work,” I said in English.
    She seemed taken aback. Her eyes narrowed in suspicion. She was no fool. She had seen the junkies in the park by the Nizamuddin Bridge underpass. She looked at my lungi. “But you have no clothes,” she muttered.
    “They were stolen,” I replied.
    She peered at me sharply, suspicion hardening into conviction. “Then go get some,” she said coldly, “and we’ll consider you.” The wall that all white women had inside them had gone up. It felt harder than stone.
    The guard wasn’t following any of this, but he understood, like all good guard dogs did, her change of tone. Grabbing me by the shoulder, he hustled me out. At the gate, maybe because he had a