Those hours of relief arenât enough, so he walks. But on the streets everything sparkles too brightly: the men selling war bonds smile too much, the wounded soldiers seem limp with relief, their wives too radiant and pregnant. He hates it; he is drawn to it.
To forget her need to be with him, Aliette keeps herself busy. She takes tea with school friends at the Plaza, goes to museums and parties, accepts all dates to the theater that she can. But when her dates lean in to kiss her, she pushes them away.
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FIVE TIMES AT THE AMSTERDAM BEFORE JULY: that first time in the menâs room; in the lifeguardâs chair; in the chaise longue storage closet; in the shallow end; in the deep end, in the corner, braced by the gutter.
All this time, Rosalind sleeps. The days that Aliette suspects she wonât, she fills her nurseâs head with glorious evocations of the cream puffs that are the specialty of the hotelâs pastry chef. Rosalind, she feels certain, will slip out at some point during the lesson and return a half an hour later with acream puff on a plate for her ward, licking foam from her lip like a cat.
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THE SECOND WAVE OF THE ILLNESS hits America in July. People begin to fall in Boston, mostly strong young adults. In a matter of hours, mahogany spots appear on cheekbones, spreading quickly until one cannot tell dark-skinned people from white. And then the suffocation, the pneumonia. Fathers of young families turn as blue as huckleberries, and spit a foamy red fluid. Autopsies reveal lungs that look like firm blue slabs of liver.
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ALIETTE SLIPS AWAY ON A DAY that Rosalind is off, visiting a cousin in Poughkeepsie. She takes a cab to the dark and seedy streets where L. lives, but is so thrilled she doesnât see the dirt or smell the stench. She gets out of the cab, throwing the driver a bill, and runs as quickly to the door of L.âs close, hot bedroom as her awkward legs will allow.
She comes in. He stands, furious to suddenly see her in this hovel. She closes the door.
It is only later, sitting naked on the mattress, dripping with sweat and trying to cool off in what breeze will come from the window, that she notices the bachelorâs funk of his apartment, the towers of books and notebooks lining the walls like wainscoting, and hears the scrabble of somethingsinister in the wall behind her head. That is when she tells L. her plan.
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THAT NIGHT MR. HUBER IS CHAPERONING. L. pays his friend, W. Sebald Shandling, starving poet, to sit by the pool. Shandling is foppish, flings his hands about immoderately, has a natural lisp.
âWatch me like a jealous wife,â L. instructs him.
His friend does watch him, growing grimmer and grimmer, until, by the end of the session, when Aliette comes to the wall and touches L. on the shoulder, he is pacing like a tiger and glaring at the pair. Mr. Huber looks on with an expression of jolly interest.
In the cab home that evening, as the horseâs hooves clop like a metronome through the park, Aliette asks her father if L. can come live with them, in one of the guest bedrooms.
âDaddy,â she says, âhe told me how disgusting his room is. But he cannot afford to live elsewhere. And Iâve decided to train for the New York girlsâ swimming championships in September, and need to add another session in the afternoon, at the Fourteenth Street YMCA. It will just be easier if he lives with us.â
âYou have become friends?â he says.
âOh, we get along swimmingly,â she laughs. When he doesnât smile, she adds, âDaddy, he is like a brother to me.â
Her father says, without much hesitation, âWell, I donât see why not.â
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ON THE JULY DAY HE LEAVES HIS HOVEL, L. stands in his room, looking around at the empty expanse. He hears children playing in the alley below. He goes to the window and watches. Two girls skip rope, chanting.
I had a little bird, they sing, rope
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