pushes a small bottle of lemonade out of the way, careful not to let me see. Behind his round glasses, two slits for eyes. He doesnât have many lines on his face but he has smoky, old manâs hair.
I look at his pen. It got here in its own black box. It is dark blue, with a gold belt around its middle and a gold clip to grip onto a pocket. He twists off the lid, flips open his writing pad. The part of the pen you write with looks more like a dagger than a pen. He begins to write, a giant blob of blue ink appears on the page. He rips that page out, balls it up and throws it into the bin, starts again.
âSo, Robyn, do you like school?â
I do not speak.
He fills my silence with the crisp sound of his pen gliding acrossthe page. Taking a deep breath in, he smiles. It is a small smile I have seen before. Mr Thorpe saves that smile for Gavin Rossiter when he has shown him for the fifth time how to add without using his fingers. Mr Thorpe looks to the classroom ceiling and says,
Jesus tonight, s
ends Gavin to tidy the books in the library for the rest of the morning. After dinner Mr Thorpe is nice again. He nods at the cupboard for Gavin to get out the toy cars. Tells him to pass the biscuit tin over and hands Gavin a Rich Tea. Inside the tin is where he finds the note:
Dollyâs shop will go on fire.
Mr Wainwright shuffles his bottom all the way back into the chair and leans forward. âWould you say you liked school, Robyn?â
I nod.
He writes.
âWhat do you like best about it?â
âThe dinners.â
He writes.
I think he writes
greedy cow,
and I smile.
âSo, you like school dinners. Whatâs your favourite?â
âEverything.â
He writes.
I scratch my head.
He writes.
I think he writes
Robyn has nits,
and I smile.
âWho are your friends in school?â
I shrug.
He writes.
I shiver. Somebodyâs walking over your grave, Nan says.
âIs there anything youâre scared of in school or at home?â
Burning water fills up my eyes. I blink it away, looking down. I think: Iâm scared to wake up in the mornings, scared to breathetoo loud, scared to be left in with my dad on my own. But I canât say it. I could never say it out loud, to anybody, or heâd kill me.
When I look back up, Mr Wainwrightâs face is all white, like heâs going to drop down dead. He has sweat on his forehead. On the telly, when anyone takes a funny turn, people give them a drink. I grab his black bag and search inside for the lemonade. Itâs not there. Then I see the zip on the other side.
Mr Merryville walks in the room and catches me, elbow-deep in the bag.
âRobyn Mason, what are you doing?â
I ignore him, panicking to get the zip open.
Itâs there. I twist off the top and tilt it up to Mr Wainwrightâs lips. He makes a good noise in his throat, all the red coming back into his face. Mr Merryville stands by the open door stiff as the statue of Mary.
Mr Wainwright loosens his tie.
âWhat do you think youâre doing, Mason?â Mr Merryville shouts. âRummaging around in an adultâs bag?â
âSir, I â¦â
âDonât deny it. I saw you with my own eyes.â
Mr Wainwright says, âItâs okay, really, she helped.â
âGet back to class. Iâll come and deal with you later.â
For the rest of the day I canât concentrate on my work. Every time the door handle squeaks my belly does a handstand. Just before home time Mr Merryville calls me out of class. On the way to the door I spit on my palms and rub them together thinking maybe the cane wonât hurt as much. Outside, Mr Merryville smiles at me. âRobyn, I didnât understand what you were doing before. Mr Wainwright explained and he sends his thanks.â Then he walks away. Easy as that. No telling off and no cane. I realize Iâve worried all day for nothing.
*
A couple of days later, when
Lady Brenda
Tom McCaughren
Under the Cover of the Moon (Cobblestone)
Rene Gutteridge
Allyson Simonian
Adam Moon
Julie Johnstone
R. A. Spratt
Tamara Ellis Smith
Nicola Rhodes