you took her to the train?â
âA housedress, the sort of thing you never see any more. Buttons down the front, short sleeves, made of something like nylon or rayon. Synthetic. Must have been terrible for her in thisheat. It was grey or beige, some light colour, and had a small pattern on it; I donât remember what.â
âWas it something you saw her wearing in the house, when you saw her from your window?â
Signora Gismondi considered this, then answered, âI think so. She had that and a light-coloured blouse and dark skirt. But most of the time she had an apron on, so I donât have a clear memory of her clothes.â
âDid you see any changes in her while she was there?â
âI donât know what you mean by changes.â
âDid she get her hair cut, or coloured? Start to wear glasses?â
She remembered the white roots of Floriâs hair that last day, when sheâd taken her to the café to try to calm her down. âShe stopped dyeing her hair,â she finally said. âShe probably couldnât afford it.â
âWhy do you say that?â he asked.
âDo you have any idea of what it costs to have your hair dyed in this city?â she asked him, wondering if he had a wife and, if so, whether she was of an age to dye her hair. She guessed him to be somewhere in his fifties: he would have seemed younger than that, she realized, were it not for the thinning of the hair at the crown of his head and for the lines around his eyes. But, paradoxically, his eyes seemed those of a much younger man: astute, bright, quick to register what they saw.
âOf course,â he said, understanding themeaning of her question, and then, âIs there anything else you can tell me about Signora Battestini? Anything at all, Signora, no matter how unimportant or inconsequential it might seem and, yes,â he went on with an easy smile, âno matter how much it might sound like gossip.â
She responded easily to the invitation to be of help. âI think I said that everyone in the neighbourhood knows her.â He nodded and she continued. âAnd they know sheâs caused me so much trouble . . .â Here she stopped briefly to interrupt herself, âYou see, Iâm the only person whose bedroom faces her apartment. I donât know whether other peopleâs bedrooms were always at the back, or if theyâve changed their houses around over the course of the years to get away from the noise.â
âOr whether itâs just recently that this has begun,â he suggested.
âNo,â she responded immediately. âEveryone I talk to tells me itâs been going on since the son died. The people to my right have air conditioning, so they sleep with the windows closed, and the old people below me close their shutters and windows both. God knows why it is they donât suffocate during the summer.â She suddenly realized how stupidly garrulous she must sound and broke off, tried to remember what had started her on this subject, then, finding the thread, returned to it. âEveryone knows her, and if I mention her name, everyone is ready to talk about her. Iâve heard her life story a dozen times.â
âReally?â he asked, obviously interested. He turned a page in his notebook and glanced at her with what she took to be an encouraging smile.
âWell, letâs say Iâve heard bits and pieces of her life story.â
âAnd would you tell me what they are?â
âThat sheâs lived there for decades. Iâd guess from what people say that she was in her eighties, maybe older,â she said. âThere was the one son, but he died. People have told me it wasnât a happy marriage. I think her husband died about ten years ago.â
âDo you know what he did?â
She paused and tried to remember, dredging through half a decade of random gossip. âI think he had some
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