her clenched fist down the front of his trousers. He groped under her boob tube. Her friends began to sing: Puuuuuurrrfect! The old Eddi Reader song. The man walked away.
Rickshaws carrying cargos of people fucked out of their brains swerved dangerously close to the night buses that swelled with yet more people cramming kebabs into their mouths, letting their sleeping heads knock against the windows on the upper deck, missing the view of this splendid city.
âDo you know, there is no direct translation for jouissance in English?â toad man was saying to me over martinis in the bar.
I had taken a night bus from Leicester Square to The ASH Hotel, which was situated between The City and East, combining money with creativity in an ideal cocktail of dynamic penthouse suites, stellar service, and conceptual art, according to the brochure that I was reading intently.
âI like to think of myself as French in spirit,â he went on. âEven though Iâm English with only the faintest tinge of Scot.â He chortled and rubbed his belly. âSo to sit with a French woman in the flesh is something of a minor miracle for me.â
âMinor?â
âOh, they are hard to find in London. The French tend to stick together and close ranks. Unless I were to lurk outside the gates of the Lycée!â
âNo, I mean why is it only a minor miracle? To find me?â
âDo forgive me! A major one! Salud !â
We clinked glasses; mine was already empty.
I sucked the olive on its stick. I stopped sucking it when I saw what toad manâs eyes were doing to my mouth. That tongue appeared. I crossed my legs. Then I uncrossed them. I rattled the cocktail stick against my teeth.
There was a long silence.
âBut we donât even know each otherâs names!â I said with a laugh. I let my eyelids droop, seductively.
âAre you sleepy, dear?â
I opened my eyes as wide as possible. âNo.â
âJames.â He extended his hand. It was warm and soft.
âIâm Camille.â
âHow erotic.â
âYeah. My mother named me after my fatherâs courtesan. She was a chorus girl at the Moulin Rouge. She could kick her legs up extremely high.â
âAnd what does your mother do?â
âShe ⦠bakes croissants. But she was like photographed by Man Ray and all the surrealists back in the day.â
âBack in the day? As in the 1920s day?â
âYeah,â I said. âSheâs very old.â I gestured to the bartender for another drink. He was about my age. There was a dish of spicy green balls on the bar; I was crunching them at record speed. âHhm,â I said. âJapanese, I think. Try one?â
James shook his head. âWhat do you look for in a man?â
New drinks arrived. I said thanks to the bartender but he averted his eyes.
âI donât look for anything.â I paused. âDo you know the song âIâll Be Your Mirrorâ by Velvet Underground? Yeah, Iâm looking for that. The lyric goes something like when you think the night has taken over your mind and inside youâre unkind and twisted, Iâll show you that youâre not . I mean, Iâm looking for a man who can see that Iâm not horrible even if I act horrible sometimes.â
âSo youâre looking for a punch bag?â
âNo. Thatâs not what I meant.â
âSome men are very threatened by female strength.â He stared at my thighs.
âI know.â
âSome men are appalled by the idea of performing cunnilingus ad nauseam. They regard the vulva as a Venus flytrap, designed to eat them alive.â
I downed the martini. Now I was getting really drunk. I put my hand on Jamesâs shoulder and said: âWhat I love about you is that youâve got a lot of progressive ideas about women. I love that about you.â I gave him a kiss on the cheek.
He acted quickly; his face jerked
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