that his success didnât square with the cut heâs required to pay the Outfit . . . the operating tax. Usually, a formal sit-down is convened with other division heads present. I expedited the process and ordered the kid to take us to his stash house.â
ââExpedited the processâ?â Doug said. âFancy words for doing Tyler, that is, Mister Handsome, a favor. As counselor, arenât you supposed to treat everyone the same?â
âYeah,â I said, feeling a blush creep up my neck. âBut weâre, you know, friends.â
âReally?â he said, lifting an eyebrow. âWhat kind of friends?â
âBusiness friends,â I said. âMy point is the stash house. Itâs an Outfit tradition. Every member has one or two hidden around Chicago. All that dirty cash, bales of pot, bags of coke, cases of guns . . . it has to be stored somewhere. All you have to do is look at self-storage places or apartment buildings lining Lake Shore Drive, and wonder whatâs hidden inside. Anyway, one blip of cold fury and Baby-Face took us to his stash house.â
âLots of bling?â Doug said.
âA small fortune. Tyler counted out the operating tax in gems.â I looked at the key again. âI can only imagine what Nunzio squirreled away, wherever this place was.â
Doug took it from my hand and stared at the Pharoah head. âThis is no Troika of Outfit Influence, Sara Jane. In fact, itâs no mystery at all. Itâs King Ramses II.â
âHow do you know?â
âHow do you think?â He smirked. â
The Ten Commandments,
1956, directed by Cecil B. DeMille, with Charlton Heston as an unlikely Moses, and Yul Brynner as a perfect Ramses II. See the striped headdress and steely gaze? Thatâs him, Iâm sure of it. In fact, I used to see him and his twin every Wednesday.â
âYou lost me.â
He shook his head ruefully. âGod . . . I used to eat a
lot.
I actually planned my bingeing by the day of the week. Wednesday was two-for-one pork-chop sandwiches with unlimited fries at Fat Sammyâs on Clark Street. Statues of Ramses II and his twin stand guard outside the place next door, a big old warehouse called Reebie Storage. It has all these Egyptian symbols and one of those plaques saying it was built in 1922.â
âThen itâs possible Reebie couldâve been a stash house for Outfit guys,â I said.
âThereâs one way to find out,â he said, pulling the notebook from the backpack and opening to the first chapter, â
Nostro
âUs.â It listed details, arcane and modern, about the Outfitâs history, how itâs organized, its known front businesses. Flipping pages, Doug said, âLetâs see . . . Warehouses . . . Houses of Prostitution . . . Here it is, Stash Houses, Outfit-Approved, 1919â1932. I wonder why it ends in â32?â
âJust a guess, but thatâs when Capone went to jail,â I said. âThe Outfit was in disarray, everyone grabbing for power. No one trusted anyone.â
âThose guys wouldâve been fools to let each other know where their stashes were hidden,â Doug said, trailing a finger down a page. âHere it is. Reebie Storage, 2325 North Clark Street.â He looked up with a grin. âRight next to Fat Sammyâs.â
âYou know your junk food.â
âKnew it, past tense.â
âSo if Reebie was Nunzioâs stash house . . . could his stuff still be there?â
âThereâs a way to find out that, too,â Doug said, handing me the key.
I closed my fist around it, feeling cold metal against my skin. âItâs a mystery for another day. Weâve got enough on our plate as it is.â He nodded, we slipped into our boots, put on our helmets, and I pushed the tiny
C
on the Capone Door. It opened with a
Richard Matheson
Shelby C. Jacobs
Samantha Westlake
K. D. Carrillo
Aubrey Irons
Wayne Macauley
Karen Maitland
K.S. Adkins
Cs Jacobs
B.B. Wurge