with a small crystal chandelier.
âThe alley-vator, right?â Doug whispered, climbing aboard. âCool.â
I locked the electrical box and joined him. The chandelier tinkled as we descended, and then we stepped into the foyer of Club Molasses. During Prohibition, the alley-vator had been the main entrance to the speakeasy, depositing customers thirsty for booze and gambling into a luxurious anteroom where coats, hats, and guns were checked by Outfit goons. Now, ancient silken wallpaper hung in strands, powdery dust blanketed plush, worn divans, and cobwebs, long deserted by their original spinners, fell from wall sconces like clumps of gray cotton candy. Doug kicked at a flat, padlocked box and said, âThis is where they checked the tommy guns, right?â
âRight,â I said, leading him to a metal door with an eye slot. Long ago, an armed guard peered out from the other side demanding a password for entry. I opened it as we stepped inside, moving beneath a pyramid of wooden molasses barrelsâone stacked on top of another, framing the doorâand into the club. It was as cool and silent as a burial tomb. Antique slot machines stood in a corner like rows of soldiers frozen in salute. The mahogany bar stretched long and empty in front of a mirror gone cloudy with age, nearly obscuring
CLUB
MOLASSES
in curlicue script. Doug walked onto the dance floor where the letters CM were done in parquet.
âJust like old times.â He sighed. âPoor Kevin beat my face in right here.â
âAnd wouldâve choked me to death, if it hadnât been for Harry.â It was puzzling how the little dog had found his way to Club Molasses, but that was far down the list on mysteries yet to be solved. âLetâs get moving,â I said, hurrying toward the office. It was empty except for a desk, which Iâd combed through several timesâremoving the drawers, nearly disassembling the entire thingâhoping for further clues to help find my family, to no avail. The Capone Door sat exposed on the opposite wall, formerly covered by the large map of Chicago.
âHang on a sec,â Doug said. âCan we take this back to the Bird Cage Club? Sort of like an artifact? It belongs with the map, you know?â
I turned to a framed photo of Al Capone at a baseball game with Great-Grandpa Nunzio sitting nearby, trying to avoid the camera. It bore the inscription:
To N.R.âThanks for the cookies!âYour pal, A.C.
Iâd contemplated taking it the first time I saw it, but it felt like a grave robbery. Now it seemed like just another forgotten relic of my familyâs criminal complicity. âWhatever.â I shrugged.
âAwesome,â he said, and tried to lift it from the wall, but it didnât budge. âHm . . . itâs stuck.â He tried again, peering closer. âAlong the edge. You can barely see themâhinges.â I stepped up, stared, and pulled at the opposite side of the frame, hearing a grudging
click
as the picture opened like a door. Inside, a dust-covered skeleton key hung from a hook, attached to a key chain in the shape of a pharaohâs head. I removed it carefully, turned it over, and saw a yellowed piece of paper stuck to the back. In looping handwriting recognizable as Nunzioâs, it read:
Deposito segreto di Nunzio Rispoli, numero 9291-R.
Looking over my shoulder, Doug said, âDeposit-o segret-o?â
âSecret deposit of Nunzio Rispoli,â I murmured, feeling its heft in my hand. âBut not a deposit box. The key is too big. I wonder . . .â
âWhat?â
âAbout a month ago, Tyler asked me to settle a dispute between Money and a young Outfit guy. A baby-faced smash-and-grabber,â I said. âGuy walks into a jewelry store, puts a gun on the owner, uses a hammer to shatter a display case, grabs all he can carry, and runs for it. Simple, but effective. Tyler figured out
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