Everfound by Neal Shusterman

him.
    “What for?” asked Speedo.
    Milos didn’t bother answering him. “Gather them and have them meet me by the church.”
    Allie knew that Milos had figured it out, because he came to the front of the train with a huge group of Afterlights—too many for her to count.
    “I told you you’d see it,” Allie said, pretending not to be anxious. “All it took was a little perspective.” Milos gave her a quick glance, but not a kind one.
    “I don’t understand,” said Speedo. “Are all these Afterlights for my expedition?”
    “There will not be another expedition,” Milos told him. “Look under the church. Tell me what you see.”
    Speedo reluctantly knelt down, getting eye-level with the railroad ties. “I see the bottom of the church . . . and the tracks underneath it.”
    “Exactly,” said Milos. “The church is sitting on top of the tracks.”
    “So what?” said Speedo. “It’s still in our way.”
    Again, Milos glanced at Allie giving her a chilly look, then he returned all his attention to Speedo.
    “Since when does a building cross into Everlost without a foundation?” asked Milos. Speedo could only stammer. “The answer is, it doesn’t .” Then he pointed across the lake. “The church’s foundation is over there.”
    “So . . . if the church crossed over there . . . ,” said Speedo, his voice shaking, “. . . how did it get onto ourtracks?” But by the way he asked, it was clear Speedo didn’t want to know the answer.
    “Someone moved it here,” Milos informed him. “Someone lifted it up, carried it all the way around the lake, and put it down right in our path.”
    “Milos gets a gold star!” said Allie.
    Then Milos, always one to blame the messenger, turned on her in fury. “You keep your mouth shut or I will find some duct tape and tape it closed!”
    To which Allie calmly responded, “Duct tape never crosses.” Which was true. Things that cross into Everlost are usually loved, and nobody loves duct tape. Its use is, at best, an annoyance.
    “If it moved once,” Milos said, “it can move again.”
    “You . . . you want us to move it back?” asked Speedo.
    Allie snickered, which only made Milos more irritated.
    “We don’t need to move it back, just off the tracks. Understand?”
    “Oh,” said Speedo as if it were a grand revelation. “I get it!”
    Milos lined up the Afterlights on one side of the church. Then, on Milos’s command, they began to lift and release, lift and release, over and over until the church began to rock back and forth. Even with fifty Afterlights, the church was so heavy, it took forever until they were able to build any sort of momentum.
    Up above, the steeple wavered like a metronome, cutting a wider and wider arc across the sky. By now all the rest of Mary’s children had come out to see what was going on. Moose and Squirrel watched like it was prime-time TV, Jill crossedher arms and feigned complete disinterest, and Jix observed stoically, without revealing how he felt about it either way.
    The anticipation of all those assembled built as the church rocked on the tracks, until finally the building reached the edge of its balance, slid off the tracks, and tumbled over on its side, landing unbroken on the ground beside the train. Without a deadspot to rest on, the church began to slowly sink into the living world.
    The Afterlights all cheered, giving Milos all the credit for clever thinking—although he knew it wasn’t his cleverness that had solved their predicament. It was Allie’s.
    “Load up the train,” Milos commanded. “And stoke the engine.”
    “What about me?” asked Allie. “Will you take me down from here now, like you promised?” Milos looked at her, thought for a moment, then said to Moose and Squirrel, “All right. Untie her from the train.”
    Allie relaxed, fully ready for freedom until Milos said, “Take her down, then tie her back to the train again. This time, upside down.”
    “What?”
    Milos climbed up to