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Canadian,
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Fathers,
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cancer,
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Alzheimers,
celebrations
closer and he inhales the flowery scent of her shampoo.
Quinn explains his anthropomorphic game and the whole room is suddenly listening and asking his opinion on their âbuilding type.â
âRitchie hereâs a sprawling monster home in a gated community. With monster fuckinâ pool, hot tub, SUVs in the double garage. You,â he says pointing to Jehoy-something. âSerious ultramodern movie theatre or library. Lotsa glaaaass. And Rebecca here, sorry, Rebecca, is your third-world modular housing unit.â He has people laughing, exclaiming agreement, arguing for themselves.
Quinn hums inside. He feels profoundly connected to these people, his fellow architectural students. In fact, he fuckinâ loves every person here and feels their love in return. He feels the love of the architects of this basement suite, of the people who made these clothes on his back, of the brewers of this rum and everyone behind the Coke feel-good empire. Making things is love he wants to tell this long-legged tragedy beside him. His parents made him. God, he loves them. He loves his macho brother, his frivolous sister. He loves his demented grandmother and his munchkin-sized aunt. He loves Lauren and knows she loves him back. She loves him.
âWhat about the Quinn man here,â says Ritchie, âWhatâs he?â
âJapanese hotels,â says Jehoy-something. âThe beehive kind with those little sleeping holes.â He starts buzzing.
âIâd have said energy-efficient townhouses,â says Vanessa. âBut hell, after tonight, I realize I donât know you at all.â
Quinn leans over and tucks a tendril of hair behind her ear, thinking itâs very small for an ear. âIf youâd like to get to know me, Iâm all yours.â
Her laugh is a trilling songbird. Whether that laughter is directed at him or with him, he suddenly understands, is completely up to him.
âYouâre so pretty,â he says.
âYouâre pretty drunk.â
âYouâre fucked-up drunk,â comes Toddâs voice behind him.
Quinn laughs. âMy grandpa used to sneak me sips of his whiskey. Been drinking since I was five.â
Someone lights up a joint. Quinn rarely smokes dope, and never socially, but after Vanessa takes a hit, so does he, holding it in like a pro.
His last memory of the party is of Todd pushing a card into his hand, the fourth king?, of people cheering, squealing, him stepping up onto the coffee table and in a grand gesture hoisting over his head the Ring of Fire cup.
â¢â¢â¢
After his breakfast of boiled egg, dry toast, two slices of orange and a dehydrating coffee â still no water â heâs cuffed before being taken outside the cellblock to make his one phone call. Then, so he can actually use the phone, one hand is released and, as if heâs some dangerous criminal, the other cuffed to a ring on the wall beside the phone.
His sister, Pema, answers, rap music in the background.
âHi Pema, can you put Mom on, please?â His headache has settled into an even throb, his stomach a nervous swirl of caffeine.
âSheâs in bed.â
âSheâs sleeping?â he asks, though canât imagine it. Sheâs always up early.
âDonât think so. Where are you?â
âJust put Mom on, please.â
âOnly if you tell me where you are.â
âPema.â He grinds his teeth, knows she wonât back down.
âTell me where you are or Iâll hang up.â
âIâm in jail for sexual assault.â
Her laughter is so spontaneous, he laughs too. Yeah, itâs so impossible itâs funny. The music grows fainter as she walks the phone to another room and he scrambles to remember what the hell he did last night. He doesnât want to lie to his mother.
âHello?â His motherâs voice is at once a balm and a censure. He wants to stop there with her open
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