he didn’t lock the door behind them. She counted to three as she walked down the stairs, told herself it didn’t matter, that he must have a button that he had pushed on the inside of the doorknob to lock it. But she couldn’t stop herself from asking, “Did you lock your door?”
“No.”
She was looking forward and down at her feet, worried about the steps, taking the curve on the narrower than normal staircase with cautious movements, afraid she’d slip and break her neck. So she couldn’t see Gabriel’s expression, but he didn’t sound particularly worried about burglars, any more than he seemed concerned about his camera.
“It’s safer to lock your door.” Sara knew she sounded anal, and she was, knew she had a fear that was huge and growing irrational, but the police had told her there was no forced entry at her mother’s house. That the killer had either known her mom, or the doors hadn’t been locked. It seemed risky to leave a door unlocked for anyone to walk in. At any time.
“The courtyard gate locks.”
“Oh, okay, good.” Sara glanced back at him, and he just gave her a small, brief smile. It was hugely reassuring. She had expected he would either argue with her, or point out that she was paranoid. Suggest that she needed to let it go, get over it. She had heard all of those things, a hundred times over, from coworkers, friends, and neighbors who genuinely wanted what was best for her, but didn’t understand a damn thing.
That Gabriel just told her what she needed to hear and left it at that filled her with relief. He was different. And it was kind of nice.
“So what was life like for a prostitute in 1849?” she asked, as they went through the gate, the sun hitting her in the face and sending her digging through her purse for her sunglasses.
“It sucked.”
Something about the tone of his voice made her glance up. Was that meant to be a double entendre? It was hard to tell because he wasn’t even looking at her. He had his eyes down on his camera and he was prying the lens cap off. But there had been an edge of amusement, or an awareness of the horrific irony, maybe the need to lighten the subject matter . . . she wasn’t sure what exactly, because Gabriel was hard to interpret, but something told her he had just made a joke.
Which she liked.
He lifted his camera, shot a quick succession of photos from right to left, the last one of her. She wasn’t prepared for it, so she was sure she was staring dumbly at him in it. “No pictures of me, please.”
“But the light’s good,” he said, giving her another of those tiny smiles where the corner of his mouth lifted crookedly.
God, Sara really didn’t want to like him.
That would be just one more way for her to trip and fall.
But she was definitely in danger of becoming a bubble girl of her own making, afraid of everything, even her own proverbial shadow.
Coming to New Orleans was an emotional risk, and maybe it hadn’t been running away so much as stepping outside her comfort zone. Forcing herself to face the future without fear.
She was definitely still terrified, but suddenly reassured that this trip had been exactly what she needed to retake control of her life.
VIGILANCE COMMITTEE PRESSURES POLICE TO TAKE ACTION
October 9, 1849—While the police commissioner may not be inclined to listen to the pleas of prostitutes, it would seem he is willing to bend when the collective voices of the VIGILANCE COMMITTEE cry for action. In a city besieged by crime, it is more common than not for a murder of a fallen woman to go unnoticed, but it is just that cavalier attitude that has finally sent certain citizens beyond the edge of their tolerance. Comprised of various wealthy and influential peoples, the Vigilance Committee was formed to bring attention to the spiraling immorality and violence of certain districts. The murder of young Anne Donovan, in its fury and grotesqueness, and the lack of arrest of the gentleman who should
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