Fer-De-Lance by Rex Stout Page B

believe he ever would have opened up once, on any case big or little, if I hadn't kept nudging him.
    He sighed. "Must I again remind you, Archie, of the reaction you would have got if you had asked Velasquez to explain why Aesop's hand was resting inside his robe instead of hanging by his side? Must I again demonstrate that while it is permissible to request the scientist to lead you back over his footprints, a similar request of the artist is nonsense, since he, like the lark or the eagle, has made none? Do you need to be told again that I am an artist?"
    "No, sir. All I need to be told is how you knew Barstow was poisoned."
    He took up the magnifying glass. I sat and waited, lighting another cigarette. I had finished it, and had about decided to go to the front room for a book or magazine, when he spoke.
    "Carlo Maffei is gone. Common enough, beaten and robbed probably, until the telephone call and the advertisement. The telephone call as a whole does not lack interest, but it is the threat, I'm not the one to be scared, that has significance. The advertisement adds a specification; to that point Maffei has been this and that, he now becomes also a man who may have made something intricate and difficult that would work. The word mechanism made that a good advertisement, but it also offered magnificent suggestions to an inquiring mind. Then, quite by accident just as the creation of life was an accident, Maffei becomes something else: a man who clipped the Barstow news from the paper on the morning of his disappearance. So, read the Barstow news again and find the aspect of it that closely concerned Carlo Maffei. An obscure Italian metal-worker immigrant; a famous learned wealthy university president. Still there must be a connection, and the incongruity of the elements would make it only the more plain if it was visible at all. There is the article; find the link if it is there; stop every word and give it passage only if its innocence is sure. But little effort is required; the link is so obvious that it is at once apparent. At the moment of, and for some time immediately preceding, his collapse, Barstow had in his hands and was using not one, but an entire assortment, of instruments which if they were not intricate and difficult mechanisms were admirably adapted to such a use. It was a perfectly composed picture. But while it needed no justification, nothing indeed but contemplation, as a work of art, if it were to be put to practical uses a little fixative would help. So I merely asked Miss Fiore if she had ever seen a golf club in Maffei's room. The result was gratifying."
    "All right," I said. "But what if the girl had just looked and said no, she never saw one anywhere?"
    "I have told you before, Archie, that even for your amusement I shall not advise replies to hypothetical questions."
    "Sure, that's an easy out."
    Wolfe shook his head regretfully. "To reply is to admit the validity of your jargon, but I have learned not to expect better of you. How the devil do I know what I would have done if anything? Probably bade her good night. Would I have found varnish for my picture elsewhere? Maybe; maybe not. Shall I ask you how you would have seen to eat if your head had been put on backwards?"
    I grinned. "I wouldn't have starved. Neither will you; if I know anything I know that. But how did you know that Maffei had been murdered?"
    "I didn't, until O'Grady came. You heard what I said to him. The police had searched his room. That could only be if he had been taken in a criminal act, or been murdered. The first was unlikely in the light of other facts."
    "All right. But I've saved the best till the last. Who killed Barstow?"
    "Ah." Wolfe murmured it softly. "That would be another picture, Archie, and I hope an expensive one. Expensive for the purchaser and profitable for the artist. Also, one of its characters would be a worthy subject. To continue my threadbare metaphor, we shan't set up our easel until we are sure of