Fima
mind about lots of things at the moment.
So
I'm not ugly?"
    "On the contrary."
    "You're not too good-looking yourself. Pity you've made the coffee. I didn't ask for anything. Never mind. You can drink it. And thank you."
    She stopped at the door and added:
    "You have my phone number. It's in your files."
    Fima pondered this. The words "a new chapter" seemed rather cheap, yet he knew that in other times he might well have fallen for this Annette. But why only in other times? Finally, in Yael's old words, he said to himself, Your problem, pal.
    And, after filing the papers away, he locked the records room and washed the cups, ready to close up.

5. FIMA GETS SOAKED IN THE DARK IN THE POURING RAIN
    A FTER LOCKING UP THE CLINIC, HE TOOK A BUS INTO THE CENTER of town and found a cheap eating place in a side street not far from Zion Square, where he had a mushroom pizza washed down with Coca-Cola and chewed a heartburn tablet. Because he did not have enough cash with him, he asked if he could pay by check, but was told he could not. He offered to leave his identity card and come back the next morning to pay. However, he could not find the document in question in any of his pockets: he had bought a new electric kettle on Sunday, or before the weekend, to replace the one he had burned out, and, not having enough cash, had left his identity card in the shop as security. Or was it at Steimatsk/s Bookshop? Finally, when he was beyond hope, a crumpled fifty-shekel note dropped out of his back pocket: his father must have put it there a couple of weeks ago.
    During this search a telephone token came to light in one of his pockets, and Fima located a public call box outside the Sansur Building in Zion Square and phoned Nina Gefen; he vaguely remembered that her husband, Uri, was leaving or had already left for Rome. Maybe he could inveigle her into going to the Orion with him to see the French comedy with Jean Gabin that Tamar had told him about during the coffee break. He couldn't remember the name of the film.
    But the voice that came on the line was the wooden voice of Ted Tobias, who asked dryly, with a heavy American accent, "What's up this time, Fima?" Fima mumbled, "Nothing. It's the rain," because he couldn't make out what Ted was doing at Nina Gefen's. Then he realized he had absent-mindedly dialed Yael's number instead of Nina's. Why had he lied and said it was raining? It hadn't rained a drop since the afternoon. Eventually he recovered his presence of mind and asked Ted how Dimi was and how they were getting on with enclosing their balcony. Ted reminded him that they had finished that job by the beginning of the winter. Yacl had taken Dimi to a children's play and wouldn't be back much before ten. Did he want to leave a message? Fima peered at his watch, guessed that it was not yet eight, and suddenly, without meaning to, asked Ted if he could invade him, in quotation marks, of course; there was something he wanted to discuss with him. He hurriedly said that he had already eaten, and that whatever happened he wouldn't stay more than half an hour.
    "Okay," said Ted. "Fine. Come right on up. Just bear in mind that we're a bit busy this evening."
    Fima took this as a hint that he shouldn't come, and that whatever happened he shouldn't stay till past midnight as he usually did. He was not offended; he even gallantly offered to come some other time. But Ted firmly and politely stood his ground.
    "Half an hour will be fine."
    Fima was particularly glad it was not raining, since he had no umbrella, and he did not want to visit the woman he loved looking like a drowned dog. He also noticed that it was getting colder, and decided that it might snow. This made him even happier. Through the window of the bus, somewhere near Mahane Yehuda Market, by the light of a street lamp, he saw a black slogan scrawled on a wall: ARABS OUT ! Translating into German and substituting Jews for Arabs, he felt an upsurge of rage. On the spot, he appointed

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