a little older or a little younger, you know with pants half mast, the usual baggy bad-boy clothes.”
“Huh. Let me guess. The kid Joanna claims she’s been trying to help,” Marino says. “Yeah, well maybe she’s been giving him more than advice.”
“If your witness is right and the person she’s seen riding his bike is this same student Joanna supposedly is helping, it appears he doesn’t live too far from here,” I reply, and Tyvek makes a papery sound as I crouch on the back of my heels just inside the opening of the barrier. “Otherwise he wouldn’t be on a bike, my guess is.”
“I’m gonna talk to her,” Marino says brusquely, and I glance back at his NBA-huge black high-tops behind us.
“Help yourself,” Machado replies.
“Don’t worry, I will.” Marino walks off as I check the dead music teacher’s hands.
I bend his fingers and feel rigor mortis forming in his small muscles. He’s still warm. I begin to unbutton his shirt and discover tattoos. Trees with flying crows are on his left chest, and on his right shoulder is a logo of some sort,
RainSong
in stylized letters. Machado crouches next to me.
“I assume the witness, Angelina Brown, didn’t mention whether she’d noticed this same kid in the area this morning?” I insert a long thermometer under the right arm and set a second thermometer in the top drawer of my scene case.
“I asked her that. She says no.” Machado watches what I’m doing. “But it’s not like she’s looking out her window every minute, either. It’s possible he could have come around through the backyard and she wouldn’t have seen him.”
“Any chance she really wasn’t in New Hampshire when you reached her?”
“We’ll be able to determine that from cell towers that picked up her phone signal when I called her.”
I rock the body toward me and it rests heavily, limply against my knees as I check for livor mortis, the settling of noncirculating blood due to gravity. It’s just beginning to form on his back, a blush of dark pink that blanches when I press it.
“I’m wondering,” I continue, “if it might be possible she actually was inside the apartment. I wonder if she had a visitor while her husband was shopping and then she left either intentionally or unintentionally at a strategic moment right before he got home.”
“Exactly. The cell towers will tell us if she’s lying. But I’m wondering why you’re wondering it.” His attention is fixed on me.
“Because I’ve seen things like it before. And there are still a lot of people out there who don’t realize just how much information their cell phones are giving to anyone interested. They lie because they have no clue how easily they’ll be caught.”
“She shouldn’t be naïve though, not after what they went through with the FBI.” Machado makes a good point.
“I don’t guess your witness noticed if Joanna’s car was here this morning,” I add.
“Well here’s an interesting detail. It just so happens she’s driving a rental car today.”
“Why?”
“I don’t know but I’d say it’s open season on possibilities,” Machado replies. “Which is one reason we don’t want anybody inside the apartment until we get a chance to go through it with a fine-tooth comb. All we’re waiting on is the warrant.”
He’s suspicious the wife had something to do with her husband’s murder, and it’s no wonder that would enter his mind early on. But based on what the witness Angelina Brown said and also on what I’m already seeing, Jamal Nari wasn’t taken out by some jealous high school kid packing a pistol. He wasn’t picked off by a contract killer who walked up and shot him and kept on going.
Had a gun been fired on the property someone would have heard it. I strongly suspect that Nari was shot long range by someone experienced and skilled who had a point to make. I retrieve a magnifying hand lens to get a better look at the small tangential hole in the back of the
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