woman’s same hazel eyes, rimmed with thick lashes, and the light brown hair was her coloring too. But, unlike her, his expression was utterly peaceful – too peaceful. Both his hands were bandaged.
Could he be on medication?
Then he began to move his hands in slow circles, one rolling over the other. This simple activity seemed to capture his whole attention.
I know you, don’t I?
Yes. He was still dressing in his trademark red socks and a red shirt neatly tucked into his blue jeans. Much of the familiar child still hung about him in the aspect of innocence and in this old habit of the rolling hands. The other children had called him the idiot, and at the age of six, she had believed this was his name. Her father had roughly corrected her, applying his large hand to the seat of her pants until she learned to call the boy by his true name.
“Hello, Ira,” said Lilith. “How are you?”
The yelling woman was suddenly mollified by this small courtesy. Her angry face relaxed into a smile, and she was almost pretty when she turned to her son. “Say hello to the deputy, Ira.”
“Say hello to the deputy,” Ira said.
CHAPTER 5
Charles Butler stared at the drugstore window display. Stacks of multicolored Tshirts were emblazoned with the name and likeness of the murdered evangelist. One bit of T-shirt art depicted the Virgin Mary holding an infant with Babe Laurie’s adult face. Beyond this novel heresy was a rack of paperback books and shelves crowded with sunglasses and dental floss. Toothbrushes kept company with cellophane-packaged voodoo dolls and all the other little things that tourists might have forgotten to bring with them.
Charles turned back to the alley between the sheriff’s office and the fire department. The mute sculptor had located Mallory’s cell. Henry Roth was staring up at the second-floor window and making conversation with his hands. Charles walked across the square to listen in with his eyes.
As he neared the municipal building, his gaze was pulled toward another man seated on a wooden bench in front of the sheriff’s office. Charles noted the resemblance to the face on the Tshirts. The general features were the same, but not so dramatic. And unlike the wild-eyed Babe Laurie, intelligence was more in evidence here. He was perhaps thirty-five years old. His long hair was the color of sand, and it brushed the collar of his denim shirt. His eyes were blue and serene as he nodded a greeting in the familiar way of an old friend.
Charles found himself drifting toward this man, for the invitation was clear and compelling. Come to me, said the tranquil expression. Sit and talk awhile, said his glance to the empty side of the bench.
Then Charles remembered that he had business elsewhere, very pressing business, and he turned away with the slightly disoriented feeling of awakening. In the next moment, the man on the bench was forgotten as he moved closer to the mouth of the alley and concentrated on reading the silent language of Henry Roth.
The sculptor’s eyes were fixed on the second-floor window. A pair of white hands appeared at the bars, signaling back to him. Charles read the words off her fingers. “Tell him to go away.”
Henry Roth glanced at him and shrugged, then turned his face up to her window, hands flying in conversation.
Charles was staring at his shoes. Go away? He had traveled more than a thousand miles for that?
He turned his back on them and walked off to the fountain at the center of the square. Water flowed from ornate spigots and splashed into a large basin. Atop the fountain pranced a saddled but riderless bronze stallion. Charles was facing the horse’s rear end.
How fitting.
He paced one turn around the wide pool of water, ruminating over all the sleep he had lost on her account, all the anxiety she had caused. Done with feeling sorry for himself, anger won out over deeply ingrained good manners. He decided to disregard her wishes, and he fairly flew
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