Hotel Bel-Air suite had belonged to supermodel Marym Marshall.
7
Kiley tried to formulate something really arch and funny, something that would show how easily she could accept his âgot togetherâ remark. Then Tomâs truck rounded a curve and the most magnificent landscape spread out before them: Technicolor flowers lit by the setting sun, rocky cliffs on both sides, and a straight shot down to the azure Pacific Ocean in all its frothy majesty.
âAwesome,â Kiley breathed. âItâs just . . . words arenât big enough.â
He glanced at her quickly, then back at the road. âI remember what you told me, about Scripps, and how much you love the ocean. Kinda makes whatever insanity youâre going through with Platinum worthwhile, huh?â
âOh yeah.â Kiley drank in the panorama as Tom turned north on the Pacific Coast Highway, which paralleled her beloved ocean. She even turned down the music so that there would be no distraction. For quite a while there was a constant ocean view to their left. Once they reached the Malibu section of the highway, the view disappeared. All she could see was the ugly backs of wall-to-wall oceanfront homes.
âSo how are people supposed to get to the beach?â Kiley asked.
âThey arenât; thatâs the whole point.â Tom nodded toward the homes. âItâs called the Colonyâchock-full of the rich and famous. They donât want to share the beach. Hence, no parking, no paths, no nothing.â
âJust because you own a place on the beach doesnât mean you own the entire beach,â Kiley protested. She knew she was right because she devoured everything ever written about the ocean. âThere are public-access laws. Youâre allowed between the high-tide line and the low-tide line.â
âTrue,â Tom agreed. âBut big stars arenât about to let the little people traipse across their property to get there.â
âWell, thatâthat just sucks.â
He laughed. âFear not, O Defender of the Public Right to the Brine. There are some places where homeowners traded better beach access for the right to make their mansions bigger. Thereâs a good path by David Geffenâs estateâheâs Steven Spielbergâs business partner. Iâll show you sometime. Ah, here we are. Marymâs new place.â
Tom made a sharp left turn across the PCH and pulled into a broad driveway that featured a valet stand teeming with waiting attendants. The rear of the home facing the PCH was nondescriptâtwo stories, a few windows, nothing special.
âWhere are they going to park your truck?â Kiley wondered.
âSomeplace far away. I bet theyâll run a shuttle van there later.â
A valet gave Tom a claim ticket and drove away in his truck. Tom took Kileyâs arm and led her down a narrow path on the north side of Marymâs new home. As they rounded the front of it, Kiley saw that ordinary as it had been from the street, it was breathtaking from the beach; all pale wood and twenty-foot windows reflecting the slate path that led to the ocean below. At the tallest point of a center peak was a ten-foot stained-glass angel, wings spread, as if blessing the massive house upon which it flew.
They reached the front door, where a guy in a weathered leather bomber jacket and baggy jeans admired the sunset as he leaned against the doorframe. Kiley gulped. It was Leonardo DiCaprio. The Leonardo DiCaprio. Wait until she told Nina. Sheâd probably decide to work for Evelyn Bowers for nothing.
Tom put a protective arm around Kiley and whispered to her. âHey.â
âHey, what?â
âHey, you donât need to feel freaked about being here,â he assured her.
She made a face. âI thought I was being all cool.â
He leaned close. âDonât let it get around, but Iâm not cool, either. Iâve just learned how to fake
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