wanted to weep. That was natural, she told herself. Pregnant women wept easily. Their emotions ran on the surface, to be bruised and battered without effort, and often without cause.
âIâve got something in mind. Hold on a minute.â
She waited, still sitting, while he went into the spare room. Moments later he came back holding a navy blue shirt.
âPut this on. I think the contrast between the manâs shirt and your face might be the answer.â
âAll right.â Laura went into the bedroom and stripped off the big pink sweater. She started to draw an arm through the sleeve and then she caught his scent. It was there, clinging to the heavy cotton. Tough, and unapologetically sexual. Man. Unable to resist, she rubbed her cheek over it. The material was soft. The scent was not, but somehow even the scent of him made her feel safe. And yet, foolish as it seemed, it made her feel a dull, deep tremor of desire.
Wasnât it wrong to want as a woman, to want Gabe as a man, when she carried such a responsibility? But it didnât seem wrong when she felt so close to him. He had sorrows, too. She could see them, sense them. Perhaps it was that common ground, and their isolation, that made her feel as though sheâd known him, cared about him, for so long.
With a sigh, she slipped into the shirt. What did she know about her own feelings? The first, the only, time sheâd trusted them completely had brought misery. Whatever emotions Gabe stirred in her, she would be wise to keep gratitude in the forefront.
When she stepped back into the main cabin, he was going through his sketches, rejecting, considering, accepting. He glanced up and realized that his conception of Laura fell far, far short of the mark.
She looked like the angel heâd spoken of, illusory, golden, yet tied now to the earth. He preferred to think of her as an illusion rather than as a woman, one who stirred him.
âThatâs more of the look I want,â he said, managing to keep his voice steady. âThe colorâs good on you, and the straight-line masculine style is a nice contrast.â
âYou may not get it back anytime soon. Itâs wonderfully comfortable.â
âConsider it a loan.â
He walked over to the chair as she sat and shifted into the precise pose sheâd been in before the break. Not for the first time, Gabe wondered if sheâd modeled before. That was another question, for another time.
âLetâs try something else.â He shifted her, mere inches, muttering to himself. Laura nearly smiled. She was back to being a bowl of fruit.
âDamn, I wish we had some flowers. A rose. Just one rose.â
âYou could imagine one.â
âI may.â He tilted her head a fraction to the left before he stood back. âThis feels right, so Iâm going to draw it on canvas. Iâve wasted enough time on rough sketches.â
âThree whole days.â
âIâve completed paintings in half that time when things clicked.â
She could see it, him sitting on a tall stool at an easel, working feverishly, brows lowered, eyes narrowed, those long, narrow hands creating. âThere are some in here you havenât finished at all.â
âMood changed.â He was already making broad strokes on canvas with his pencil. âDo you finish everything you start?â
She thought about that. âI suppose not, but people are always saying you should.â
âWhen somethingâs not right, why drag it out to the bitter end?â
âSometimes you promise,â she murmured, thinking of her marriage vows.
Because he was watching her closely, he saw the swift look of regret. As always, though he tried to block it, her emotions touched a chord in him. âSometimes promises canât be kept.â
âNo. But they should be,â she said quietly. Then she fell silent.
He worked for nearly an hour, defining, refining,
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