that trust but also the faith of the entire country.
Emotions cloud my vision, making it hard to read through the last few pages. Rage. Sorrow. Fear. Despair. They chip away my resolve to refuse the presidentâs request and pull at the beliefs I have been taught to hold dear. When I finally finish my second read, I slide the papers back into the folder, fill my water bottle at the fountain, and climb onto my bike. Using the Transit Communicator to guide me, I head back to the University, taking the same path I used to get to the presidentâs office. The route isnât the most direct, but getting back quickly isnât my purpose. While I would prefer to destroy the papers the president gave me, there is a chance I will have need of the information they contain. Hiding them so I cannot be caught with them is my best option.
I spot a neighborhood where the roads and sidewalks are cracked and broken and the grass less green, and turn to enter it. The roofs of the houses sag in the middle. Boards across windows and doors signal a lack of materials to make repairs. Stairs are missing steps. Swirls of faded paint decorate the housesâ exteriors. The front yards are mostly dirt with a few patches of scraggly yellowish grass. If it werenât for the hopeful budding of the healthy trees on the street, I would think this area had yet to be revitalized and that people did not yet live here. But they do. A rag doll sitting near the rotted front steps of a squat brown house with a porch that is carefully swept of debris and a metal shovel that is free of rust sitting outside another dwelling tell me that people are here.
Since coming to Tosu, Iâve realized that despite the best intentions of the government, it is almost impossible for a city this size to treat all citizens the same. Streets that government officials call home are repaired more frequently than those of people who do not hold influential jobs. But the run-down appearance of some areas notwithstanding, I have never seen another so poorly tended as this one. While that disturbs me, in a way I am glad. Itâs clear that the government rarely if ever notices this street, so it could be a perfect place to hide the papers I donât want anyone to find.
In the last rays of daylight, I study the dilapidated, graffiti-laden houses on either side of the roadway, ignoring those that show signs of habitation. A small one-story structure with boarded-up windows and a sagging roof catches my eye. The houses across from it show subtle signs of occupancy, but this one and the two on either side look as though nothing but rodents and small animals have gone near the front door in months.
Careful to keep to the grass so I donât leave footprints in the dirt, I cross to the back of the house. The door in the rear hangs precariously from its hinges. I can see at least one spot where an animal has constructed a nest in the eve of the roof.
I lean my bicycle against the back of the house and walk to the door. The hinges let out a shrill protest as I shift it open. I go still and wait to see if anyone appears. When no one does, I walk inside into a small kitchen. Doors of cabinets are missing. In the center of the room, the remains of a collapsed table lie sprawled on the floor, surrounded by three wooden chairs. Leaves and twigs are scattered on the ground. Still, I search the rest of the structure to make sure this place is not in use.
The living room floor is coated in a thick layer of dust. The lone sofa in the room is so worn that springs poke through its cushions. I search the bathroom and two bedrooms. When I see no obvious signs of habitation, I pull my pocketknife out of my bag, then open the bedroom closet. Kneeling, I use the knife to prod around the floorboards. Several are loose. I pry up three, stand up to pull the folder out of my bag, remove the list of names, and tuck the rest of the papers into the spot I dug out. I replace the floorboards
Glynnis Campbell, Sarah McKerrigan
David J. Margolis
Maureen Child
Patricia Highsmith
J. A. Jance
Kathleen Givens
Adam Selzer
Shannon Hale
James N. Cook
Regina Jeffers