Until that moment there was a limit to what I believed was the evil of these people. They were,
after all, only that. They were merely morbid, self-tortured souls with strange beliefs. If there was anything I had learned in all my years as an anthropologist it was that the world is infinitely rich in strange ideas, even to the point where the concept of strangeness itself had little meaning for me. But with the scene I then witnessed, my conscience bounded into a realm frorn which it will never return.
For now was the transformation scene, the culmination of every harlequinade.·
It began slowly. There was increasing movement among those on the far side of the chamber from where I stood. Someone had fallen to the floor and the others in the area backed away. The voice at the altar continued its chanting. I tried to gain a better view but there were too many of them around me. Through the mass of obstructing bodies I caught only glimpses of what was taking place.
The one who had swooned to the floor of the chamber seemed to be losing all former shape and proportion. I thought it was a clown's trick. They were clowns, were they not? I myself could make four white balls transform into four black balls as I juggled them. And this was not my most astonishing feat of clownish magic. And is there not always a sleight-of-hand inherent in all ceremonies, often dependent on the transported delusions of the celebrants? This was a good show, I thought, and giggled to myself. The transformation scene of Harlequin throwing off hi.s fool's facade. 0 God, Harlequin, do not move like that! Harlequin, where are your arms? And your legs have melted together and begun squirming upon the floor.
What horrible, mouthing umbilicus is that where your face should be? What is it that buries itself before it is dead? The almighty serpent of wisdom-the Conqueror Worm.
It now started happening all around the chamber.
Individual members of the congregation would gaze emptily--caught for a moment in a frozen trance and then collapse to the floor to begin the sickening metamorphosis. This happened with ever-increasing frequency the louder and more frantic Thoss chanted his insane prayer or curse.
Then there began a writhing movement toward the altar, and Thoss welcomed the things as they curled their way to the altar-top. I knew now what lax figure lay upon it.
This was Kora and Persephone, the daughter of Ceres and the Winter Queen: the child abducted into the underworld of death. Except this child had no supernatural mother to save her, no living mother at all. For the sacrifice I witnessed was an echo of one that had occurred twenty years before, the carnival feast of the preceding generation-O carne vale! Now both mother and daughter had become victims of this subterranean sabbath. I finally realized this truth when the figure stirred upon the altar, lifted its head of icy beauty, and screamed at the sight of mute mouths closing around her.
I ran from the chamber into the tunnel. (There was nothing else that could be done, I have obsessively told myself.) Some of the others who had not yet changed began to pursue me. They would have caught up to me, I have
no doubt, for I fell only a few yards into the passage. And for a moment I imagined that I too was about to undergo a transformation, but I had not been prepared as the others had been. When I heard the approaching footsteps of my pursuers I was sure there was an even worse fate facing me upon the altar. But the footsteps ceased and retreated. They had received an order in the voice of their high priest. I too heard the order, though I wish I had not, for until then I had imagined that Thoss did not remember who I was. It was that voice which taught me otherwise.
For the moment I was free to leave. I struggled to my feet and, having broken my lantern in the fall, retraced my way back through cloacal blackness.
Everything seemed to happen very quickly
Rod Serling
Elizabeth Eagan-Cox
Marina Dyachenko, Sergey Dyachenko
Daniel Casey
Ronan Cray
Tanita S. Davis
Jeff Brown
Melissa de La Cruz
Kathi Appelt
Karen Young