it.â
âWell, of course. The Crucible is a cry for tolerance,â Sondra agreed. âItâs wrong for anyone to impose their morals on others. Very simple.â Then she noticed Elisha smiling as if something was funny. âWhat?â
âYou just said that something is wrong,â Elisha replied, still smiling.
Sondra didnât get it. âSo?â
Elisha explained, âYou canât say itâs wrong to impose your morals on others because, when you tell us something is wrong, youâre imposing your morals on us, and you canât do that because you just said itâs wrong to do that.â
âWhooaa!â said Karine.
âWell, you know what I meant!â Sondra countered.
âSure, but you see the problem? If the message of The Crucible is that everybody can believe whatever they want, and nobodyâs right and nobodyâs wrong, then why does the play disturb us? Whereâd we ever get the idea that Tituba and John Proctor are the good guys and the Puritans are the bad guys? What makes us think that an injustice has been done or that thereâs anything right or wrong about anything in the play if thereâs no right or wrong?â
Sondra stopped to ponder that.
âThat boyâs looking at you!â Karine tittered. Elisha and Sondra started to look. âDonât look!â They didnât look.
âYou mean Ian Snyder?â Sondra whispered.
Karine made a disgusted face. â Eeugh , donât make me sick!â She tried to point. âItâs that other guy, that stud with the red hair . . .â
âWhoâs Ian Snyder?â Elisha asked.
âYou donât want to meet him,â said Karine. âHeâs really out there somewhere. I think heâs a witch!â
âJust like the Tituba in all of us,â Sondra observed.
âHuh?â
âOh, nothing.â For Elishaâs benefit, she deftly pointed him out with her eyes and a barely discernible point of her finger. âOver there, by himself.â
Elisha looked just long enough to see a thin, bizarre-looking kid sitting alone at the end of a row of tables. He seemed obsessed with the color black. He was dressed in black, had black hairâalmost too black, as if heâd dyed it that wayâand . . . had he even used something to blacken his lips and eyebrows? âHeâs a witch?â
Karine and Sondra made quick, downward motions with their hands. âShhh.â
âTime to tell her,â Sondra said to Karine, and Karine nodded.
Elisha waited.
âYou should know, there are weird things happening around here,â Karine began.
âReady to hear about our ghost?â Sondra asked, and she was serious.
âOh, itâs not news to me,â said petite, gray-haired Mrs. Aimsley, bringing another stack of high school annuals to the table and setting them down with a thud. âWeâve had a ghost in this high school for as long as I can remember.â
Sarah had set up her own little research center in a corner of the school library, one study table now burdened under stacks of yearbooks and enrollment records. Mrs. Aimsley turned out to be a very good source of information on the school and its traditions. Sheâd been the Baker High School librarian for the past forty years and had seen and heard just about everything. âSo how did the legend start? Is there a true story behind it all?â
â True story?â Mrs. Aimsley had to laugh. âWell, which true story would you like to hear? There have been several.â
âThe one about Abel Frye,â Sarah said.
âHe went to this school back in the 1930s,â Karine explained, intrigued by her own tale. âAnd one night he hanged himself in the old school building.â
Sondra added, âHe lost his true love and decided to end it all.â
âAbel Frye. That name is new this year,â said Mrs. Aimsley. She