Hearing secret harmonies
a train of events seemed unlikely, apart from objections the Goring parents might have raised in days before Widmerpool had launched himself on a career. Probably nothing would have altered the fates of either Widmerpool or Barbara (whose seventeen-year-old granddaughter had recently achieved some notoriety by marrying a celebrated Pop star), and the paint-throwing incident, like the cascade of sugar, was merely part of the pattern of Widmerpool’s life. It was not considered of sufficient importance to be reported in any newspaper. On running across L. O. Salvidge in London, I heard more of its details.
    ‘I enjoyed your appearance in the St John Clarke programme.’
    Salvidge, who had a glass eye – always impossible to tell which – laughed about the occasion. He seemed well satisfied with the figure he had cut.
    ‘I was glad to have an opportunity to say what I thought about the old fraud. Did you watch the News that night, see the Quiggin twins throw red paint over the chancellor of their university?’
    ‘It was the Quiggin twins?’
    ‘The famous Amanda and Belinda. What a couple. I was talking about it to JG yesterday. At least I tried to, but he would not discuss it. He changed the subject to the Magnus Donners Prize. He’s got a grievance that no book published by his firm has ever won the award. Who are you giving it to this year?’
    ‘Nothing suitable has turned up at present. Something may appear in the autumn. Has JG’s firm got anything special? We’ll see it, no doubt, if they have. It’s my last year on the Magnus Donners panel. Do you want to take my place there?’
    ‘Not me.’
    Both Salvidge’s eyes looked equally glassy at the suggestion. That was no surprise. Almost as veteran a figure on literary prize committees as Mark Members, Salvidge always had a dozen such commissions on hand. They took up more time than might be supposed. I was glad of my own approaching release from the board of the Magnus Donners judges. This was my fourth and final year.
    The origins of the Magnus Donners Memorial Prize went back a long way, in fact to the days when Sillery used to speculate about a project of Sir Magnus Donners to endow certain university scholarships for overseas students, young men drawn from places where the Company’s interests were paramount. They were to be called Donners-Brebner Fellowships. Such a possibility naturally opened up a legitimate field for academic intrigue, Sillery in the forefront, if the fellowships were to take practical shape. Sillery (in rivalry, he lamented, with at least three other dons) made no secret of his aim to control the patronage. He had entangled in this matter Prince Theodoric (lately deceased in Canada, where his business ventures, after exile, had been reasonably successful), in those days always anxious to draw his country into closer contacts with Great Britain.
    The Donners-Brebner Fellowships were referred to in Sillery’s obituary notices (highly laudatory in tone, as recording a sole survivor of his own genus, who had missed his century only by a year or two), where it appeared that the project had been to some extent implemented before the outbreak of war in 1939. Post-war changes in the international situation prevented much question of the fellowships’ revival in anything like their original form. Sir Magnus himself, anxious to re-establish a benefaction of a similar kind, seems to have been uncertain how best it should be reconstituted, leaving behind several contradictory memoranda on the subject. In practice, this fund seems to have been administered in a rather haphazard fashion after his death, a kind of all-purposes charitable trust in Donners-Brebner gift. That, any rate, was the version of the story propagated by his widow, Matilda Donners, when she first asked me to sit as one of the judges at the initiation of the Prize. That was four years before. Now – as I had told Salvidge – my term on the Prize committee was drawing to an

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