Hearing secret harmonies by Anthony Powell

These were usually in connexion with the sort of subjects Lenore Members had indicated as his latest interest, his new axis for power focus. He had played no part in the Labour administration of 1964. He may not even have been back in England by then. I had not watched any of his TV appearances, nor heard about this appointment to a university chancellorship. The post would not be at all inconsistent with the latest line he seemed to be designing for himself. I had no idea what were its duties and powers, probably a job that was much what the holder made of it.
    The university to which Widmerpool had been nominated was a newish one. Malcolm Crowding (main authority on the last hours of X. Trapnel) taught English there. Crowding was not to be observed in the procession of capped and gowned figures on the screen; nor, for that matter, was Widmerpool. They had just reached the foot of a flight of steps. In the background were buildings in a contemporary style of scholastic architecture. The persons composing the crocodile of dons and recipients of honorary degrees were preceded by a man in uniform bearing a mace. The cortege was making its way across an open space, shut in by what were probably lecture-halls. A fairly large crowd, students of both sexes, parents, friends, onlookers of one sort or another, stood on either side of the route, watching the ceremony. It was probably a more grandiose affair than usual owing to the installation of the new chancellor. I did not pick out Widmerpool immediately, my attention being caught for a moment by a black notability in national dress of his country, walking between two academically gowned ladies, all three recipients of doctoral degrees. Then Widmerpool came into sight. As he did so there was scarcely time to take in more of him than that he was wearing a mortarboard and gold brocaded robe, its train held up by a page.
    Widmerpool, advancing towards the camera, had turned to say a word to this small boy, apparently complaining that the hinder part of his official dress was being borne in a manner inconvenient to its wearer, when the scene suddenly took on a new and starding aspect. What followed was acted out so quickly that only afterwards was it possible to disentangle specific incident from overall confusion. On different sides of the path, at two points, the watching crowd seemed to part. From each of these gaps figures of indeterminate sex briefly emerged, then withdrew themselves again. Some sort of a scuffle arose. An object, perhaps two objects, shot up in the air. In the background a flimsy poster, inscribed with illegible words outlined in shaky capital letters, fluttered for a second in the air, hoisted on the end of a long pole, then appeared to collapse. All these things, flitting by too quickly to be taken into proper account, were accompanied by the sound of singing or chanting. By the time I had grasped the fact that some sort of a demonstration was afoot, Widmerpool was no longer in sight.
    Before the scene changed – which it did in a flash – I had just time to recollect Moreland’s words, uttered at Stourwater nearly thirty years before. It was the night we had all dressed up as the Seven Deadly Sins, and been photographed by Sir Magnus Donners, with whom we were dining – ’One is never a student at all in England, except possibly a medical student or an art student. Undergraduates have nothing in common with what is understood abroad by a student – young men for ever rioting, undertaking political assassination, overturning governments.’
    Moreland had offered that opinion about the time of ‘Munich’. Sir Magnus Donners had not shown much interest. Perhaps the innate shrewdness of his own instincts in such matters already told him that, within a few decades, Moreland’s conviction about students would fall badly out of date, an epoch not far distant when the sort of student Moreland adumbrated would be accepted as a matter of course. This Stourwater