harmony, Sir Hugh. Beyond the walls, however, you’ve seen the countryside; marshes, swamps, fields, thick copses of woods. Outlaws such as Scaribrick prowl there.’
‘But they are no threat to the abbey?’
‘None whatsoever.’
‘And Lady Margaret Harcourt?’
‘The dislike between her and the Abbot was well known. They never met or corresponded.’
‘Falcon Brook,’ Dunstan the treasurer intervened. He saw Corbett’s look of surprise. ‘Falcon Brook,’ he explained, ‘is a stream which runs at the foot of Bloody Meadow. Lady Margaret and our Father Abbot disputed its true ownership.’
‘But I managed the dispute,’ Prior Cuthbert intervened. ‘That’s how Father Abbot wanted it.’
Corbett stared across at a painting on the wall, a piece of canvas stretched across a block of wood. Its colours were brilliantly vivid, the brushwork vigorous. He narrowed his eyes. At first the figures it contained meant nothing: he glimpsed a tower in the background all a-fire. A young man in armour was leading an older one whose eyes were bandaged. Corbett at last recognised the scene: Aeneas leading his father from Troy. He gazed round the room. Other paintings had similar motifs. He recognised the story of Romulus and Remus, Caesar and other themes from the history and legends of ancient Rome. Prior Cuthbert had followed his gaze.
‘An idiosyncrasy of Father Abbot,’ he explained. ‘He liked all things Roman. I understand that, both as a knight-banneret and as a monk, he often served on embassies to the Holy Father in Rome. He was much taken by the ruins there and collected ancient histories.’
‘Abbot Stephen was, in all things, a lover of ancient Rome.’ Brother Francis the librarian spoke up. ‘He collected books and manuscripts about it.’
‘Why?’ Corbett queried.
‘I asked him that once myself,’ the librarian replied. ‘Abbot Stephen answered that he admired the gravitas of ancient Rome, its honour, its love of order and discipline. We even have a copy of the “Acts of Pilate”. He was a great scholar,’ the librarian added wistfully. ‘He lived a good life and deserved a better death.’
Corbett glanced quickly at Ranulf who was busily writing. He found it difficult to hide his disappointment and frustration. Here was an Abbot foully murdered but, apart from the issue of Bloody Meadow, Corbett could sense no antipathy or hatred towards the dead man, certainly not enough to cause murder. And just how had it been perpetrated? He closed his eyes and suddenly felt the weariness of his rushed journey here. The King had been so insistent that they leave immediately. Corbett wished he could lie on his bed and pull the coverlets over his head to sleep and dream.
‘Sir Hugh?’
He opened his eyes quickly.
‘Sir Hugh.’ Prior Cuthbert smiled placatingly. ‘If there are no other questions? The daily business of the abbey demands our attention and we do have the requiem Mass?’
Corbett apologised and agreed. The Concilium left, followed by Archdeacon Adrian and Perditus. Corbett waited until Chanson had closed the door behind them. Ranulf threw his quill down on the desk and buried his face in his hands.
‘Nothing, Master, nothing at all! Here we have an abbot, a scholar, a theologian with an interest in antiquities, well loved and respected by his community.’
‘But is that only the surface?’ Corbett asked. ‘Or is there something else?’
He banged the desk in frustration. He was about to continue when there was a knock on the door. Archdeacon Adrian stepped into the chamber.
‘There is one thing, Sir Hugh, that the brothers never mentioned.’ He took the seat Ranulf offered. ‘I have only been here a few days . . .’
‘And how do you find the community?’ Corbett asked. ‘After all, Master Wallasby, you are an archdeacon, a sniffer-out of scandal and sin.’
Wallasby took this in good heart.
‘I’ll be honest, Sir Hugh, the abbey is well managed. If I was making an
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