blade into his palm until it hurt. The knife closed soundlessly and tightly. It was an excellent knife. He put it back in Lyrisâs hand and closed her fingers.
Earl the deputy stopped by the tavern a couple hours into his nightly rounds. A sign on the wall said that the maximum number of people allowed on the premises was ninety-five, but there were only seven in the tavern, counting the bartender. âHowâs the old shillelagh?â he asked Earl.
âNo complaints,â said Earl. âGive me a Pepsi and a pickled egg.â
The bartender uncapped a jar of brine and reached in with tongs. âIâm thinking of discontinuing these. We hardly sell any of them.â
âNot like the old days,â said the deputy, âwhen the pickled egg was king.â
The bartender put the egg on a sheet of wax paper and handed it over. âWhy, the sidewalks would be jammed with people, each with their own egg.â
âThat was the heyday of the steam-powered adding machine.â
âNow everythingâs changed except the jokes.â
âOld jokes for old men.â
âAll maintenance, here on out.â
âHow true.â
Earl took the egg and the Pepsi to the back of the tavern and pressed coins into the metal sleeve of the pool table. The cast-resin balls rattled down the open shelf. He walked around the table, setting up trick shots. He ate the egg, which had the consistency of glue.
The young man named Follard came over and put quarters on the rail for a game of last-pocket. Follard shot from a crouch, peering over the edge of the table.
âYou guys break up a party tonight?â he said.
âNot me.â
âThen who would it have been?â
Earl shrugged and sank a bank shot he had no business making.
âWell, I heard some kids got their keg taken from a party at the Elephant.â
âEntirely possible, but itâs nothing Iâve heard of,â said Earl. âAnd these were cops that did it?â
âSo it was told to me,â said Follard.
Earl took a five-dollar bill from his shirt pocket and folded it into a sleeve, which he slid down the cue, ferrule to joint. âWhat am I again?â
âLittle ones.â
âI canât even remember what I am. Thatâs where my head is at.â
âI got a knife off them.â
âOff who?â
âThe ones who told me about the party.â
âThey just offered it up. Out of generosity.â
âOut of something. They donât know where it went.â
âWell, Follard, whatâd you take it for? You see, this is how you get in trouble.â
Follard reached under the table for the bridge. âThe ladiesâ aid,â commented Earl.
Follard held the butt of the bridge in one hand and fitted the cue intently into the brass notch. âTo tell you the truth, I donât even know why I did it.â
âDonât think I wonât run you in.â
âFor a little jackknife? Put it this way: it would surprise me.â
âLet me see it.â
âI gave it to a girl.â
Earl folded his arms with the cue against his badge. âI ought to rough you up or something.â
âWhy do you say that?â
âI donât know. Itâs just a feeling. Like it would be an ounce of prevention.â
âWell, sheâs more deserving than the one who lost it. In a sense, I did a good thing.â
âI highly doubt it,â said Earl.
Micah crept down the stairs. Because of how the house was built, you could get two thirds of the way without being seen. His father sat in the big chair, and his mother was on the davenport with her legs crossed beneath her. They were watching a movie on Channel 9. The commercials were bracketed with film footage of clouds passing eerily over the moon, followed by the words Nightcap Theater, written in letters that were drawn to look as if they were made of wooden planks, jagged from
Gail Gaymer Martin
Matt Forbeck
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M. M. Crow
Beth Goobie
Eileen Richards
Joe Ambrose
Kai Meyer
May Sage
Alison Hughes