again, in that contemplative pose, as if part of his strategy was to force eye contact when it made Mitch uncomfortable and to deny eye contact when Mitch wanted it.
“That wasn’t Jason dead on the sidewalk,” Mitch said.
Opening the white envelope that had been on his lap, Taggart said, “In addition to the identification by an officer and the print match, I have Mr. Barnes’s positive ID based on this.”
He withdrew an eight-by-ten color photo from the envelope and handed it to Mitch.
A police photographer had repositioned the cadaver to get better than a three-quarter image of the face. The head was turned to the left only far enough to conceal the worst of the wound.
The features had been subtly deformed by the temple entrance, transit, and post-temple exit of the high-velocity shot. The left eye was shut, the right open wide in a startled cyclopean stare.
“It could be Jason,” Mitch said.
“It is.”
“At the scene, I only saw one side of his face. The right profile, the worst side, with the exit wound.”
“And you probably didn’t look too close.”
“No. I didn’t. Once I saw he had to be dead, I didn’t want to look too close.”
“And there was blood on the face,” Taggart said. “We swabbed it off before this photo was taken.”
“The blood, the brains, that’s why I didn’t look too close.”
Mitch couldn’t take his eyes from the photo. He sensed that it was prophetic. One day there would be a photograph like this of his face. They would show it to his parents:
Is this your son, Mr. and Mrs. Rafferty?
“This is Jason. I haven’t seen him in eight years, maybe nine.”
“You roomed with him when you were—what?—eighteen?”
“Eighteen, nineteen. Just for a year.”
“About ten years ago.”
“Not quite ten.”
Jason had always affected a cool demeanor, so mellow he seemed to have surfwaxed his brain, but at the same time he seemed to know the secrets of the universe. Other boardheads called him Breezer, and admired him, even envied him. Nothing had rattled Jason or surprised him.
He appeared to be surprised now. One eye wide, mouth open. He appeared to be shocked.
“You went to school together, you roomed together. Why didn’t you stay in touch?”
While Mitch had been riveted by the photo, Taggart had been watching him intently. The detective’s stare had the sharp promise of a nail gun.
“We had…different ideas about things,” Mitch said.
“It wasn’t a marriage. You were just roommates. You didn’t have to want the same things.”
“We wanted some of the same things, but we had different ideas about how to get them.”
“Jason wanted to get everything the easy way,” Taggart guessed.
“I thought he was headed for big trouble, and I didn’t want any part of it.”
“You’re a straight shooter, you walk the line,” Taggart said.
“I’m no better than anyone else, worse than some, but I don’t steal.”
“We haven’t learned much about him yet, but we know he rented a house in Huntington Harbor for seven thousand a month.”
“A
month
?”
“Nice house, on the water. And so far it looks like he didn’t have a job.”
“Jason thought work was strictly for inlanders, smog monsters.” Mitch saw that an explanation was required. “Surfer lingo for those who don’t live for the beach.”
“Was there a time when
you
lived for the beach, Mitch?”
“Toward the end of high school, for a while after. But it wasn’t enough.”
“What was it lacking?”
“The satisfaction of work. Stability. Family.”
“You’ve got all that now. Life is perfect, huh?”
“It’s good. Very good. So good it makes me nervous sometimes.”
“But not perfect? What’s it lacking now, Mitch?”
Mitch didn’t know. He’d thought about that from time to time, but he had no answer. So he said, “Nothing. We’d like to have kids. Maybe that’s all.”
“I have two daughters,” the detective said. “One’s nine and one’s twelve.
James Hadley Chase
Holly Rayner
Anna Antonia
Anthology
Fern Michaels
Carmen Caine, Madison Adler
Jack McDevitt
Maud Casey
Sophie Stern
Guy Antibes