If You Were Here by Jen Lancaster

we’re having trouble keeping them straight,” Mac says. Tracey’s accompanying us to a house we saw earlier this week. We feel like it has potential because of a couple of key features, but want a second opinion from a trusted adviser. She’s up front with him, as we both hope to gauge her first reaction of the house when we drive up.
    “Here’s the thing, Trace,” I begin. “When Liz showed us this place, she said, ‘A house like this takes a specific buyer.’ ”
    Tracey’s mom is a Realtor, so she knows all the code words, like how “cozy” means “microscopic” and “conveniently located” means “freeway-adjacent.” “So you want me there to help you determine whether the home’s tackiness is superficial or goes all the way down to the bone.”
    “Bingo. I guess because my taste trends a bit juvenile when it comes to decorating I can’t get a bead on this place. I’m not sure if the house is over-the-top or really elegant,” I reply. Tracey has exquisite taste in antiques, 44 so I will absolutely do as she advises.
    Because I grew up in a house that was so austere, I have trouble determining what’s stylish in terms of interiors. I’ve seen tons of television shows where designers demonstrate how to replicate a high-end piece with a low-cost improvisation, and I almost always prefer the inexpensive knockoff. So I figure if we’re going to make the biggest investment of our lives, I don’t want to discount a place for being gaudy when it’s actually gilded.
    After we get off the highway, we wind down a couple of wooded lanes on the way to our potential street.
    “Great neighborhood so far,” Tracey tells us, as we pass a couple of lovely Arts and Crafts–style homes with stunning river-rock stone supports, exposed roof rafters, and wide triangular eaves. One of them has the most gorgeous stained-glass windows I’ve ever seen, all done up in brown and gold florals. Tracey amends her approval with, “I mean, if you have to move to the suburbs.”
    We pass a number of houses running the gamut from cute to spectacular. “I like that one a lot,” I say, pointing out the Prairie-style place with tons of symmetrical clerestory windows as we round the corner to the listing. “It’s so, like, Frank Lloyd Wright.”
    “You ought to research that address—Wright built many homes up here. That may be one of his actual designs,” Tracey tells me.
    Mac replies, “Cool,” and slows as we approach the circular stone driveway. Tracey’s not looking at what might be our house, because her attention has been drawn to the massive Shingle-style home across the street.
    “How fabulous is that?”Tracey crows about the home’s elegant, understated simplicity. “It’s like a perfect beach house all tucked away here back in the woods. This is my favorite kind of home. Did you know Shingle style was the backlash to all those fussy Victorianstyle places at the turn of the century? I bet those shingles are made of white cedar, because—” And that’s when Tracey realizes we’ve parked.
    “We’re here,” Mac tells her. He and I both hold our breath while we anticipate her initial reaction.
    Tracey leans forward to peer through the windshield.
    “Oh, sweet mother of Jesus.”
    Mac and I exchange glances in the rearview mirror. I was bracing myself for that reaction, as this house definitely doesn’t look like anything else in the neighborhood, with its modern twist on French Provincial architecture. The house is massive gray stucco with a high hip roof, lots of balustrades, and matching twin chimneys. The windows are tall and paned, cutting into the cornices, and their shape is outlined by continual lines of raised molding. The whole house is balanced and symmetrical and . . . a tad dramatic. 45
    “Is the entry over-the-top?” I ask. Part of me already knows it is, and yet the part of me from a crappy Indiana ranch house can’t help but being impressed.
    “Just a little,” Tracey agrees;