says, rising fluidly and walking out the private side door of her white marble room.
I jump and follow.
The Muse is god-sized—that is to say, over seven feet tall but in perfect human proportions, less voluptuous than some of the goddesses but built like a Twentieth Century female triathlete—and even in the lessened gravity here on Olympos, I have to scramble to keep up as she strides across the close-cropped green lawns between white buildings.
She pauses at a chariot nexus. I say “chariot” and it is vaguely chariotlike—low, roughly horseshoe shaped, with a niche in the side allowing the Muse to step up into it, but this chariot lacks horses, reins and driver. She grips the railing and beckons me up.
Hesitantly, heart pounding wildly now, I step up and stand to one side as the Muse taps her long fingers across a gold wedge that might be some sort of control panel. Lights blink. The chariot hums, crackles, becomes suddenly girdled by a latticework of energy, and rises off the grass, twirling as it climbs. Suddenly a holographic pair of “horses” appears in front of the chariot and gallop as they seem to pull the chariot through the sky. I know that the holographic horses are there for the Greeks’ and Trojans’ need for closure, but the sense that they are real animals pulling a real chariot through the sky is very strong. I grab the metal bar along the rim and brace myself, but there is no sense of acceleration even as the transport disk jigs and jags, swoops once a hundred feet above the Muse’s modest temple, and then accelerates toward the deep depression of the Lake of the Caldera.
Chariot of the gods! I think and blame the unworthy thought on fatigue and adrenaline.
I’ve seen these chariots a thousand times, of course, flying near Olympos or above the plains of Ilium as the gods shuttle to and fro on their godlike business, but I’ve always seen them from my vantage point on the ground. The horses look real from that angle and the chariot itself seems far less substantial when you’re in one, flitting a thousand feet above the summit of a mountain—volcano, actually—that itself rises some 85,000 feet above the desert floor.
The summit of Olympos should be airless and ice-covered, but the air here is as thick and breathable as it is some seventeen miles lower where the scholic barracks huddle at the base of the volcanic cliffs, and rather than ice, the broad summit is covered with grass, trees, and white buildings large enough and grand enough to make the Acropolis look like an outhouse.
The figure eight of the Lake of the Caldera at the center of the summit of Olympos is almost sixty miles across and we zip across it at near-supersonic speed, some forcefield or bit of godly magic keeping the wind from tearing our heads off at the same time it muffles the sound. Hundreds of buildings, each with acres of manicured lawn and gardens around it, gods’ homes, I presume, surround the lake, while great three-tiered autotriremes move slowly across the blue waters. Scholic Bruster Lin once told me that he estimated that Olympos was the size of Arizona, its grassy summit equaling approximately the surface area of Rhode Island. It was strange to hear of things here being compared to states on that other world, in that other time, from that other existence.
Clinging to the thin railing with both hands, I peek out beyond the mountaintop. The view is breathtaking.
We are high enough that I can see the curve of the world. To the northwest, the great blue ocean extends to that inverted cusp of horizon. To the northeast runs the coastline, and I fancy that even from this distance I can see the great stone heads that mark the boundary between sea and land. Due north is the scythe of the unnamed archipelago just visible from the shoreline a few miles from our scholic barracks, then nothing but blue again all the way to the pole. To the southeast I can see three other tall volcanic summits thrusting above
I jump and follow.
The Muse is god-sized—that is to say, over seven feet tall but in perfect human proportions, less voluptuous than some of the goddesses but built like a Twentieth Century female triathlete—and even in the lessened gravity here on Olympos, I have to scramble to keep up as she strides across the close-cropped green lawns between white buildings.
She pauses at a chariot nexus. I say “chariot” and it is vaguely chariotlike—low, roughly horseshoe shaped, with a niche in the side allowing the Muse to step up into it, but this chariot lacks horses, reins and driver. She grips the railing and beckons me up.
Hesitantly, heart pounding wildly now, I step up and stand to one side as the Muse taps her long fingers across a gold wedge that might be some sort of control panel. Lights blink. The chariot hums, crackles, becomes suddenly girdled by a latticework of energy, and rises off the grass, twirling as it climbs. Suddenly a holographic pair of “horses” appears in front of the chariot and gallop as they seem to pull the chariot through the sky. I know that the holographic horses are there for the Greeks’ and Trojans’ need for closure, but the sense that they are real animals pulling a real chariot through the sky is very strong. I grab the metal bar along the rim and brace myself, but there is no sense of acceleration even as the transport disk jigs and jags, swoops once a hundred feet above the Muse’s modest temple, and then accelerates toward the deep depression of the Lake of the Caldera.
Chariot of the gods! I think and blame the unworthy thought on fatigue and adrenaline.
I’ve seen these chariots a thousand times, of course, flying near Olympos or above the plains of Ilium as the gods shuttle to and fro on their godlike business, but I’ve always seen them from my vantage point on the ground. The horses look real from that angle and the chariot itself seems far less substantial when you’re in one, flitting a thousand feet above the summit of a mountain—volcano, actually—that itself rises some 85,000 feet above the desert floor.
The summit of Olympos should be airless and ice-covered, but the air here is as thick and breathable as it is some seventeen miles lower where the scholic barracks huddle at the base of the volcanic cliffs, and rather than ice, the broad summit is covered with grass, trees, and white buildings large enough and grand enough to make the Acropolis look like an outhouse.
The figure eight of the Lake of the Caldera at the center of the summit of Olympos is almost sixty miles across and we zip across it at near-supersonic speed, some forcefield or bit of godly magic keeping the wind from tearing our heads off at the same time it muffles the sound. Hundreds of buildings, each with acres of manicured lawn and gardens around it, gods’ homes, I presume, surround the lake, while great three-tiered autotriremes move slowly across the blue waters. Scholic Bruster Lin once told me that he estimated that Olympos was the size of Arizona, its grassy summit equaling approximately the surface area of Rhode Island. It was strange to hear of things here being compared to states on that other world, in that other time, from that other existence.
Clinging to the thin railing with both hands, I peek out beyond the mountaintop. The view is breathtaking.
We are high enough that I can see the curve of the world. To the northwest, the great blue ocean extends to that inverted cusp of horizon. To the northeast runs the coastline, and I fancy that even from this distance I can see the great stone heads that mark the boundary between sea and land. Due north is the scythe of the unnamed archipelago just visible from the shoreline a few miles from our scholic barracks, then nothing but blue again all the way to the pole. To the southeast I can see three other tall volcanic summits thrusting above
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