we
played jazzy blues. He liked that, so he approached us for management. We didnât have anybody else, he had his Blues House where we could play, so we thought, if we donât sign with him we wonât have the gig.
Jim Simpson started managing us around the end of 1968, beginning of â69. So here we were, in possession of PAs, a huge wreck of a Commer van, a set list filled with jazzy twelve-bar blues and a manager. All dressed down and no particular place to go but up.
The first thing Jim Simpson did was put us on the Big Bear Folly, a UK tour with four bands playing, and the night always ended in a jam with everybody back on stage. In January 1969 we played the Marquee club, but we didnât go down very well with John Gee, the manager of the place. The guy was into big bands and, when Bill claimed he was also into jazz, John Gee played him some of that music and said: âWhoâs this then, who is this?â
Bill gave him a totally wrong name and John Gee really got the hump.
Ozzy had a pyjama top on and a tap around his neck. John didnât like that either. He probably thought we were really scruffy. Well, we were. We didnât have the money to look good. Ozzy actually used to walk around in bare feet. Geezer was the fashion guru whoâd get the latest trend. He had these lime-green trousers. They were his only pair and he washed them all the time and wore them over and over again. One day he dried them by the heater and one of the legs caught fire. Because he loved this pair of trousers so much, his mum sewed another leg on and from then on he walked around with one green leg and one black leg. Mad!
Bill actually won an award for the worst dressed rock star once, âThe Scruffiest Rock Star Out Thereâ or something like that. He was really proud of it as well. And there was me in my buckskin jacket. What with the clothes and lots of hair, we certainly looked heavy. We all grew handlebar moustaches and Bill grew a beard as
well. There was no conscious thought behind that. If youâre in a band you develop a similar look.
âOh, your hair has got a little longer, looks good, leave it like that.â
The downside of it was that we didnât have any women coming to the gigs. Scruffy long hair, only blokes sitting there . . .
Come to think of it, you did see some. But they looked like blokes!
13
A flirt with Tull in a Rock ânâ Roll Circus
Earth had gigged for just a couple of weeks when we opened for Jethro Tull, who were already getting very popular. I thought they were really good, but obviously there was something going on, because during that gig their guitar player, Mick Abrahams, passed this note to Ian Anderson. It said something like: âIâm leavingâ, or: âThis is my last nightâ. After the gig they asked me if Iâd be interested in joining.
I went: âOh, bloody hell. I donât know.â
And I didnât. I was shocked by it all.
On the way home in the van I said to the others: âIâve got to tell you something. Iâve been asked to join Jethro Tull. And I donât know what to say.â
They were really supportive and said: âYou should go for it.â
Tull got in touch and I said: âWell, yeah, Iâll give it a go.â
But it wasnât as simple as that. They said: âYouâve got to come for an audition.â
I protested, but they said: âCome down to London. Youâll be all right.â
I went down there and I walked into this room and there were so many guitar players from known bands there that I panicked . . . and walked out again. I knew John, one of their crew, from his time with Ten Years After. He rushed after me and said: âLook here, donât worry, just go and sit in the caf across the road and Iâll come and fetch you when itâs your turn.â
âWell, I donât feel comfortable with this.â
But he insisted:
Franklin W. Dixon
Chantelle Shaw
K.J. Emrick
Francine Pascal
Ian Buruma
Leanne Banks
Sidney Sheldon, Tilly Bagshawe
Unknown
Catherine McKenzie
Andy Frankham-Allen