Killing Pretty

Killing Pretty by Richard Kadrey Page B

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Authors: Richard Kadrey
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appeared.”
    I nod and lean against the kitchen counter.
    â€œJulie mentioned that. Okay, let’s say he’s the real thing. What am I supposed to do with him?”
    â€œWhat would you do if he was just an ordinary man who came to you for help?” says Allegra.
    â€œBuy him a drink and give him cab fare to the next bar. I almost died wrestling the Angra Om Ya. Don’t I get a day off?”
    â€œMaybe not.”
    â€œMaybe time off is not your fate, Mr. Sandman Slim,” says Vidocq.
    He smiles like he’s being goddamn witty. Maybe from his point of view he is.
    And maybe what he said hits too close to home.
    â€œFate is what happens when you don’t run fast enough. Keep moving and fate gets dizzy.”
    â€œLooks like you didn’t run fast enough this time,” says Allegra. “So what would you do if someone came to you for help and you did decide to give it to them?”
    I look at the coffee. Sip it, but suddenly don’t want it anymore and set it down.
    â€œI’d find out who he was.”
    â€œYou’re already doing that. What else?”
    â€œI’d find out where he came from and backtrack from there. Maybe look for some physical evidence. All Mr. D had on him was a coat and a knife.”
    â€œWhat did the knife look like?” says Vidocq.
    I take it from my pocket wrapped in a red utility rag I found in the Rover and hand it to him. He carefully unwraps it. Picks it up with his fingertips and turns it over.
    â€œDo you recognize it?”
    â€œI’m afraid not,” says Vidocq.
    â€œMe neither,” Allegra says.
    â€œDo you mind if I run some tests?” says Vidocq.
    â€œPlease do.”
    He takes the knife to his worktable, sets it on an iron disc the size of a dinner plate, selects a green bottle from a jumble of similar bottles at the back of his table. He gives it a shake and unstoppers it. I leave my coffee and go over.
    â€œWhat is that?”
    Allegra stands on his other side.
    â€œMy own invention. A personal amalgam of quicksilver, sulfur, and other rarer elements I’ve gathered in my travels.”
    â€œWhat’s it going to do?”
    â€œIt reveals the history and composition of any object. Its true nature. Let’s see what it tells us about your knife.”
    He puts an eyedropper into the bottle and suctions up a small potion of shimmering silvery metal. Holding the tip over the knife, he lets three drops fall.
    The mercury slides down the length of the blade, making it look soft and liquid. A few seconds later, it begins to sizzle like someone frying an egg with a blowtorch.
    I lean in for a better look.
    â€œIs it supposed to do that?”
    â€œNot necessarily,” says Vidocq.
    Smoke rises from the boiling metal. It shudders. Turns yellow, then deepens to black. The mercury cracks like a broken roadbed, silver veins of the knife blade visible beneath the charred metal crust. A few seconds later, the black fades and the mercury turns back to its original shimmering form, flowing off the tip of the blade. When it falls on the worktable, it spreads and burns a poker-­chip-­size hole in the wooden surface, sending up a ribbon of gray smoke.
    Like me, Allegra leans in to watch.
    Vidocq pushes us both back.
    â€œDon’t inhale the vapors,” he says.
    The smoke stinks. I go to a window and open it.
    â€œI’m guessing that hasn’t happened before.”
    â€œWhat did we just see?” says Allegra.
    Vidocq rubs his chin with the knuckle of his thumb.
    â€œI don’t know. It’s never reacted so violently before.”
    I reach for the knife and Vidocq pushes my hand away.
    â€œI wouldn’t do that,” he says.
    He takes a dark, ragged chamois from a drawer and wipes down the whole knife, holding it in a set of heavy pliers that look like they came from a yard sale at Hannibal Lecter’s. I point at the chamois.
    â€œWhat is that?”
    â€œYou

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