appeared.â
I nod and lean against the kitchen counter.
âJulie mentioned that. Okay, letâs say heâs the real thing. What am I supposed to do with him?â
âWhat would you do if he was just an ordinary man who came to you for help?â says Allegra.
âBuy him a drink and give him cab fare to the next bar. I almost died wrestling the Angra Om Ya. Donât I get a day off?â
âMaybe not.â
âMaybe time off is not your fate, Mr. Sandman Slim,â says Vidocq.
He smiles like heâs being goddamn witty. Maybe from his point of view he is.
And maybe what he said hits too close to home.
âFate is what happens when you donât run fast enough. Keep moving and fate gets dizzy.â
âLooks like you didnât run fast enough this time,â says Allegra. âSo what would you do if someone came to you for help and you did decide to give it to them?â
I look at the coffee. Sip it, but suddenly donât want it anymore and set it down.
âIâd find out who he was.â
âYouâre already doing that. What else?â
âIâd find out where he came from and backtrack from there. Maybe look for some physical evidence. All Mr. D had on him was a coat and a knife.â
âWhat did the knife look like?â says Vidocq.
I take it from my pocket wrapped in a red utility rag I found in the Rover and hand it to him. He carefully unwraps it. Picks it up with his fingertips and turns it over.
âDo you recognize it?â
âIâm afraid not,â says Vidocq.
âMe neither,â Allegra says.
âDo you mind if I run some tests?â says Vidocq.
âPlease do.â
He takes the knife to his worktable, sets it on an iron disc the size of a dinner plate, selects a green bottle from a jumble of similar bottles at the back of his table. He gives it a shake and unstoppers it. I leave my coffee and go over.
âWhat is that?â
Allegra stands on his other side.
âMy own invention. A personal amalgam of quicksilver, sulfur, and other rarer elements Iâve gathered in my travels.â
âWhatâs it going to do?â
âIt reveals the history and composition of any object. Its true nature. Letâs see what it tells us about your knife.â
He puts an eyedropper into the bottle and suctions up a small potion of shimmering silvery metal. Holding the tip over the knife, he lets three drops fall.
The mercury slides down the length of the blade, making it look soft and liquid. A few seconds later, it begins to sizzle like someone frying an egg with a blowtorch.
I lean in for a better look.
âIs it supposed to do that?â
âNot necessarily,â says Vidocq.
Smoke rises from the boiling metal. It shudders. Turns yellow, then deepens to black. The mercury cracks like a broken roadbed, silver veins of the knife blade visible beneath the charred metal crust. A few seconds later, the black fades and the mercury turns back to its original shimmering form, flowing off the tip of the blade. When it falls on the worktable, it spreads and burns a poker-Âchip-Âsize hole in the wooden surface, sending up a ribbon of gray smoke.
Like me, Allegra leans in to watch.
Vidocq pushes us both back.
âDonât inhale the vapors,â he says.
The smoke stinks. I go to a window and open it.
âIâm guessing that hasnât happened before.â
âWhat did we just see?â says Allegra.
Vidocq rubs his chin with the knuckle of his thumb.
âI donât know. Itâs never reacted so violently before.â
I reach for the knife and Vidocq pushes my hand away.
âI wouldnât do that,â he says.
He takes a dark, ragged chamois from a drawer and wipes down the whole knife, holding it in a set of heavy pliers that look like they came from a yard sale at Hannibal Lecterâs. I point at the chamois.
âWhat is that?â
âYou
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