innit?â
âTrue.â
âI didnât get it, by the way.â
âWhat?â
âThat job in
Gloss
magazine. Bloody bastards. They took this really skinny bitch instead. Properly fucking skinny. Looked like her last meal was breast milk.â
I look out of the window.
âSo what,â she says, pushing her hair back and adjusting the mirror, âis going on with you and Dwayne?â
âDwayne? What the hell does he have to do with anything?â
âI think he likes you.â
âWell, I donât like him,â I say, then, âI do . . . but not like that.â
âHeâs a good bloke, Eden.â
âSo? Thereâs a lot of good guys Iâm not interested in.â
âWell, you are too pretty for âim, anyway.â
âDamn right.â
Max taps absently on the steering wheel. âWell, I like Zed quite a lot,â she says, disjointedly. âHeâs got something about him. Mysterious like . . . You know what I mean? Plus, it doesnât hurt that heâs so fucking
buff
!â she laughs. âBloody âell. I told âim he should try and book some modelling jobs.â
âYeah,â I say, trying to do something acceptable with my face. Hating her: hating him: hating myself. âYou guys look really happy together.â
Max slides to a halt before a red light, eyes forward.
âWe are, I think,â she confirms, and glances over as the light blinks from yellow to green. âYouâre so gorgeous with that figure and those lovely eyes . . . Youâll find somebody.â
I try to keep the weak curve of my lips intact. âIâm not looking, actually.â
When we get to Clapton Pond, I ask Max to drop meoff at a corner shop in her beat-up Mini. She says itâs no problem, she can wait and then take me home.
âNo, itâs fine. I donât live far from here . . .â
Parole officer
, I donât say.
âWell, OK.â Max leans over and kisses me on the cheek. âBe safe, yeah?â
âThanks for the lift, Max,â I reply, fake-smiling.
âIâll call you later!â
I wait âtil sheâs out of sight to wipe the bubble-gum-coloured gloss off my face. Walk really fast.
âYou alright, princess?â says the Turkish guy in the off-licence, with a wink.
âGive me a bottle of Jack and weâll see,â I tell him, just as a local nut-job walks in for his twentieth can of Special Brew. I leave quickly, before he has a chance to harass me. Take a left into Kenninghall Road where tower blocks dominate the landscape.
My manor isnât as leafy and clean as Zedâs upscale, Highgate neighbourhood. Itâs squashed up, noisy, and full of happenings. The people all seem to be either silent or screaming, barrelling into you or standing in your way. Itâs all about bald, demoralised patches of grass, stunted trees and a dirty white van parked halfway onto the kerb. Itâs all about dogshit left to harden. Itâs all about sweet-faced, hooded boys and running toddlers and silly tarts wearing clubwear at two in the afternoon.
Iâve not even had a holiday in ten years. This is all itâs been for the longest: scummy London with its scarred pavements and faded sky. Oily puddles. Brazen lunatics walking endlessly, repelling gazes like the wrong end of a magnet. And they are the only ones that speak what theyâre feeling because wherever you are in London, thereâs no space for big emotions. Swallow it, stifle it, shut up. Itâs branded into us all at birth or on arrival.
When I look around here sometimes, I kind of understand why my mother felt that she had to leave. But if sheâd made do, if sheâd learned to be resigned, all our lives would be different.
I rub my arms and walk quickly towards home, avoiding menâs gazes.
A cloudâs gone over the sun and I feel cold in this dress.
July
get
Kit Tunstall, R.E. Saxton
Mike Barry
Victoria Alexander
Walter J. Boyne
Richard Montanari
Sarah Lovett
Jon McGoran
Stephen Knight
Maya Banks
Bree Callahan