Low Life
me. This is an unforgivable sin – to allow something as holy as art
     to be used for evil. Unforgivable.’ This was his last public speech.
    All three of Mr Müller’s children are deceased. He is survived by four grandchildren and six great-grandchildren.
    Simon read the piece twice, and then folded up the newspaper and dropped it into the trash can under his desk. He looked at the clock. His lunch break was over.
    The Pasadena street on which Jeremy Shackleford once lived was just off Colorado Boulevard. It was a quiet, tree-lined strip of pothole-free asphalt dotted with late-model
cars, old but well-maintained three- and four-bedroom houses, and green yards. The sidewalks were covered in faded chalk hopscotch etchings and jump-rope scars, and were cracked in a few places by
tree roots that had gotten bigger than expected; but the gutters were free of trash – no paper cups and condom wrappers here – the driveways were free of oil stains, and the yards were
free of weeds. Despite the sound of traffic from Colorado, the street had an air of calm about it.
    Simon drove his old rattling Volvo along the asphalt, glancing from the driver’s license in his left hand, pinched between thumb and index finger, to the numbers painted curbside. He found
parking right out front, pulled to the curb, and killed the engine.
    Above him, the orange sun shot daggers through the branches of one of the many eucalyptus trees which lined the street, creating a strange pattern of shadows on the car, a natural stencil
painted with light.
    He looked to his right and saw the Shackleford house through his water-spotted passenger-side window. It was a Craftsman-style building, set at the top of five concrete steps which had been
painted green, and half-hidden behind a plant-littered front porch. Basil and rosemary and aloe grew there, as well as ficus and three hanging pots spilling vines dotted with large purple
flowers.
    He tossed Shackleford’s driver’s license onto the passenger’s seat beside the wallet from which he’d pulled it and stepped out of his Volvo. He did not lock the doors. In
this neighborhood he doubted anyone would even glance in the direction of his battered car, and if they did they would no doubt assume it belonged to someone’s maid. Or perhaps
someone’s child visiting from USC or UCLA, home so mom could do the laundry.
    He walked up the concrete path that cut the green yard in two, made his way up the painted steps, and, standing in front of the door, took a deep breath. He felt nervous and afraid. His chest
hurt. His body shook slightly. He doubted anyone would notice just by looking at him, but he could feel it.
    He thumbed the doorbell and heard the muffled sound of it chiming inside.
    There was no response.
    He rang again, and again there was no response, no sound of footsteps rushing to reach the door, no request to hold on just a moment, I’ll be right there, I’m in the kitchen and my
hands are full. There was only silence.
    He looked over his left shoulder and saw a man of retirement age walking his dog. Or rather, the dog was walking him, leaning forward and pulling the old man behind it on its leash. The old man
was paying Simon no attention. And a moment later he was past, being pulled forward by his eager dog while leaning against the force like a man in a windstorm trying to maintain equilibrium. Over
his right shoulder, Simon saw a pair of blonde girls, wearing identical flower-print dresses and red ribbons in their hair, hunched over something on their lawn, their backs to him. With those
exceptions, the neighborhood appeared to be empty.
    And still no one opened the front door.
    He rang the doorbell a third time just to be sure.
    Then – after a moment – pulled Shackleford’s wad of keys from his pocket. He tried three or four of them before he found the one that could unlock the front door, and with it
he did so. He pushed the door open, stepped just inside, and closed it

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