him in. Her eyes had flashed with something that surprised him. He wondered if it would be there again.
No, he told himself.
He couldnât go to the Château. Not in this state, disheveled as he was.
Thompson caught the bus back to the Aztec Hotel. He walked though the lobby, past the snoozing clerk, upstairs to his room.
He wanted out. Away from Billy Miracle. All these years writing about murderers and their victims, men trapped by their desiresâby swell-looking babes and no account virginsâand now here he was, trapped too. He wasnât so different from the drifter in the book he was writing maybe, working his way toward a fate scrawled in someone elseâs hand. But he went ahead anyway and sat down at his desk. He was under contract, after all.
FOURTEEN
Belle Lanier could get her old man to dance naked in the street, if thatâs what she wanted, so getting me the job at her fatherâs place was a pretty straightforward business.
Daddy Lanier treated me like a prince. He paid me fair, and patted me on the back, and didnât seem to want anything in return. Maybe he was a good man like he seemed. Or maybe he was a fool.
Either way, my plan, it was to take these people for a ride. To milk them good and be on my way.
Then one day the younger sister, Gloria, showed up at the office. She wore her hair tied back and a brand new dress: a wide-collared thing that hung down below the knees. She had sincerity written all over her face.
âHi,â I said, and gave her my brightest grin. âWhat can I do for you?â
I took her for a stroll, and talked it up big. I told her how much I loved the town, and the people here, how it reminded me of my childhood. It was all lies, but she smiled, sweet as sap, and for a little while I believed my own words.
Finally we went back to the office. I looked through the window, watching her walk. I thought for a minute how I wished everything was good and wholesome as she made it seem. Just then I felt a hand on my shoulder. It was Daddy Lanier. He had been watching me study his youngest daughter as she strolled away under the pecan trees.
âYou want to come over to dinner?â
He looked at me with the eyes of the father Iâd never had. The good father. Who cared for me and wanted to see me do well in the world. Who would never treat me like that lousy voice in my head.
FIFTEEN
The next day, Thompson got a call from Matthew Roach, his agent in New York. Theyâd known each other for twenty years, back to the days when Thompson wrote for the crime magazines. Thompson liked hearing from him: the cheering lilt in his voice, all camaraderie, like a pat on the back that said:
Give âem hell, buddy. They âre all bastards, but hey, you, Mr. Million Bucks, you got what it takes.
The truth was, Roach was a swindler like all the rest. Theyâd fallen out a dozen times over the years, but none of that mattered. Thompson liked him anyway.
âToo bad about Jack Lombard. A damn shame.â Roachâs voice sounded odd. He wants something, Thompson thought. But why is he bringing up Lombard?
âNothingâs too bad for him. That son of a bitch.â
âThatâs a hell of a thing to say.â
âIâm a hell of a guy.â
âThe reason I called, Hector Sally talked to me, about your book deal. I think we can make this thing swing.â
Thompson hesitated. He had hoped to do this without Roach, to save himself the commission. âHector says theyâll do the book. Contingent on the film. Any advance you get, though, that has to come from the production house.â
âI was hoping â¦â
âThatâs the best I can get you.â
Roachâs voice was firm, and Thompson felt his old dislike of the man returning. He enjoyed the feeling. It felt good to hate his agent again. To hate agent and publisher at the same time, in the same moment, this was one of lifeâs true
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