Mathilda

Mathilda by Mary Shelley

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Authors: Mary Shelley
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funeral--He seemed to recover himself a little after he had bidden me write to you--but still it is a woful thing to see him so unhappy."[29] These were the feelings of an old, faithful servant: what must be those of an affectionate daughter. Alas! Even then my heart was almost broken.
    We spent two months together in this house. My father spent the greater part of his time with me; he accompanied me in my walks, listened to my music, and leant over me as I read or painted. When he conversed with me his manner was cold and constrained; his eyes only seemed to speak, and as he turned their black, full lustre towards me they expressed a living sadness. There was somthing in those dark deep orbs so liquid, and intense that even in happiness I could never meet their full gaze that mine did not overflow. Yet it was with sweet tears; now there was a depth of affliction in their gentle appeal that rent my heart with sympathy; they seemed to desire peace for me; for himself a heart patient to suffer; a craving for sympathy, yet a perpetual self denial. It was only when he was absent from me that his passion subdued him,--that he clinched his hands--knit his brows--and with haggard looks called for death to his despair, raving wildly, untill exhausted he sank down nor was revived untill I joined him.
    While we were in London there was a harshness and sulleness in his sorrow which had now entirely disappeared. There I shrunk and fled from him, now I only wished to be with him that I might soothe him to peace. When he was silent I tried to divert him, and when sometimes I stole to him during the energy of his passion I wept but did not desire to leave him. Yet he suffered fearful agony; during the day he was more calm, but at night when I could not be with him he seemed to give the reins to his grief: he often passed his nights either on the floor in my mother's room, or in the garden; and when in the morning he saw me view with poignant grief his exhausted frame, and his person languid almost to death with watching he wept; but during all this time he spoke no word by which I might guess the cause of his unhappiness[.] If I ventured to enquire he would either leave me or press his finger on his lips, and with a deprecating look that I could not resist, turn away. If I wept he would gaze on me in silence but he was no longer harsh and although he repulsed every caress yet it was with gentleness.
    He seemed to cherish a mild grief and softer emotions although sad as a relief from despair--He contrived in many ways to nurse his melancholy as an antidote to wilder passion[.] He perpetually frequented the walks that had been favourites with him when he and my mother wandered together talking of love and happiness; he collected every relick that remained of her and always sat opposite her picture which hung in the room fixing on it a look of sad despair--and all this was done in a mystic and awful silence. If his passion subdued him he locked himself in his room; and at night when he wandered restlessly about the house, it was when every other creature slept.
    It may easily be imagined that I wearied myself with conjecture to guess the cause of his sorrow. The solution that seemed to me the most probable was that during his residence in London he had fallen in love with some unworthy person, and that his passion mastered him although he would not gratify it: he loved me too well to sacrifise me to this inclination, and that he had now visited this house that by reviving the memory of my mother whom he so passionately adored he might weaken the present impression. This was possible; but it was a mere conjecture unfounded on any fact. Could there be guilt in it? He was too upright and noble to
do
aught that his conscience would not approve; I did not yet know of the crime there may be in involuntary feeling and therefore ascribed his tumultuous starts and gloomy looks wholly to the struggles of his mind and not any as they were partly due to

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