real?â
âFigure of speech. No idea what color the thing actually was. But I swear you could barely hear it. Some kind of stealth version.â
âStill, I thought that was an urban legend.â
âApparently not.â
âAnd they never showed a warrant?â
âNever said a word. Slam, bam, not even a âthank you, maâam.ââ
âYour boss must be freaked.â
âNaomi doesnât freak.â
Tolliver shrugs, as if he doesnât quite believe it. âSo I heard. Good for her. Must be kind of weird, working for a female, huh?â
âNot weird at all.â
âNo?â
Jack shakes his head, enough already.
Tolliver sighs. âHey, one of these days maybe youâll wangle me an invitation. Iâd love to see the inside of that place.â
Jack changes the subject. âLong way around, Shane was not the shooter. Thatâs a definite. Heâs that rarest of things, an innocent man.â
Tolliver snorts. âNobody is innocent in this world, least of all Randall Shane. We have a garment with blood on it. A shirt, extra large, 17-inch neck, 37-inch sleeves. The shirt would fit your average gorilla. It has discernible splatter on the right sleeve, indicative of proximity to a gunshot. It will take a while, lab work being what it is, but Iâll bet you a bottle of this port that the blood belongs to the vic and the garment links to Mr. Shane.â
âNo bet. Youâre probably correct about the matchups but thereâs an explanation: the shirt was deliberately used in the crime, donned by the real shooter and then planted. And if Shane never got back into his motel room, how did it get there?â
âWorking on that. Itâs not only the garment, which you already knew about from the detectives on scene,and donât think I didnât know that. Thereâs something else. Something way better.â
âOh?â says the former FBI agent, the little hairs stirring on the back of his well-barbered neck.
âWe have the murder weapon, Jack. Registered to your pal, and his prints are all over it.â
âWhat? Where?â
âLocated behind a Dumpster on the same block. Like he tried to chuck it away and threw it a little too far.â
âShit,â says Jack.
âVery deep shit,â the detective agrees, puffing happily on his forty-dollar cigar.
Chapter Seven
She Needs the Knowing
M aybe it was all that talk about Randall Shaneâs sleep disorder, or the slice of strawberry rhubarb pie and the glass of ice-cold milk I quaffed an hour before bed (it can be dangerously tempting, having a superb chef living under the same roof), or the thought of a child so missing that people doubt he even exists, but for whatever reason, I canât sleep a wink. Staring at the ceiling wonât work. Counting sheep, or anything, puts me in mind of bookkeeping, a wakeful activity. My mind is bright and will not shadowâlie awake long enough and Iâll start obsessing on my fake husband, and that leads to the money he swindled, the house we lost, hurtful things my sister said and so on, into an endless loop.
Times like this, the only thing that helps is to get up, don a robe and soft slippers and pad through the residence taking deep, restful breaths. The central lighting system has switched to the sleep mode, meaning the equivalent of night-lights at ankle height, providing soft illumination. Passing the room Jack Delancey uses when heâs spending the night in town, I detect the dirty-sock scent of the cigar smoke he carried home on his clothing, and smile to myself. Boys will be boys. DoubtlessJack was out with his cop buddies, sampling various bad-for-his-health potions. Did he learn anything interesting or useful? If so, heâll make it known in the morning meet, which is something to look forward to.
Farther down the hall there are lights on under Teddyâs door, and the faint