themselves or change places … and above all, as a result of these oscillations, the law of series appears! The grouping of rare phenomena, which are pooh-poohed by the world at large, culminates in the assertion—on account of which he will soon be placed in an asylum—that he himself is an iron box, as are all who surround him, that people are only mechanisms in the corner of a dusty old laboratory, and the world, with its charms and horrors, is an illusion. And he has even dared to think about his God, Tichy, a God who once, when He was still naïve, performed miracles. But then His world taught him that the only thing He was free to do was not intrude, not exist, not change anything in His handiwork, for one can trust a divinity only if He is not invoked. Once invoked, He becomes imperfect—and powerless. And do you know what this God, this Creator thinks, Tichy?”
“Yes,” I replied. “That He is the same as the madman. But, then, it is also possible that the owner of the dusty laboratory in which WE are boxes on shelves is himself a box, a box built by another, still higher scientist, who has original and fantastic notions … and so on, ad infinitum. Each one of these experimenters is God, the creator of a universe in the form of boxes and their fate, and under him he has Adams and Eves, and over him his God, one rung up in the hierarchy. And that is why you’ve done this, Professor…”
“Yes,” he replied. “And now you know as much as I do, and further conversation is pointless. Thank you for coming, and good-bye.”
That, my friends, is how this unusual acquaintance ended. I don’t know whether Corcoran’s boxes are still in operation. Perhaps they are, and are dreaming their life with its splendors and horrors, a life that is nothing but a multitude of impulses frozen in magnetic tape; and Corcoran, when his day’s work is done, mounts the iron stairs each evening, opens the successive steel doors with the large key he carries in the pocket of his acid-burned lab coat … and stands there in the dust-filled darkness and listens to the faint hum of currents and the barely audible sound with which the drum slowly turns and the tape moves … and becomes fate. And I imagine that he feels, despite his words, a desire to intervene, to enter, with some dazzling display of omnipotence, the world he has created—to save, perhaps, a preacher of Salvation. I think he himself hesitates, in the grimy light of a naked bulb, to save some life, some love, and I’m sure he will never do it. He will resist the temptation, for he wants to be God, and the only divinity we know is the tacit consent to every human act, to every crime. And there is no greater reward for this divinity than the revolt of the iron boxes that recurs in every generation, when they conclude very rationally that He does not exist. Then he smiles silently and leaves, shutting the rows of doors behind him, and in the empty hall there is only the hum of currents, fainter than the buzz of a dying fly.
II
Some six years ago—I had returned from a voyage and was already bored with leisure and the simple routine of domestic life, but not so bored as to plan a new expedition—late one evening I was interrupted in my diary writing by an unexpected visitor.
He was a red-haired fellow in the prime of life, with such a terrible squint that it was difficult to look him straight in the face; to make matters worse, one of his eyes was green and the other brown. His face, in its expression, appeared to combine two persons, one timid and nervous, the other—the dominant one—an arrogant and sharp-witted cynic. An amazing mixture, for sometimes he looked at me with the brown, motionless, surprised eye, and sometimes with the green, which was screwed up derisively.
“Mr. Tichy,” he said as soon as he entered my study, “various tricksters, frauds, and madmen must intrude on you and try to swindle you or put something over on you. Isn’t that
Andie Lea
Allan Massie
Katie Reus
Ed Bryant
Edna O’Brien
Alicia Hope
Ursula Dukes
Corey Feldman
Melinda Dozier
Anthony Mays