mask was adorned in some sort of ochre coloured paint, now faded and flaking. Where the cave paintings of the Bouda mask indicated rectangular slits for eyes, the Sarisariñama one had wide, gaping holes. The benevolent ‘almost-smile’ of the African mask was replaced by jaws filled with corroded metal teeth, twisted into a perpetual, malevolent snarl.
Despite the differences though, the similarities were undeniable, even to Doctor McKinney and her ilk. The overall shape of the mask was identical to the depictions of the Bouda’s, derived by following the curve of a piece which was out of place.
He remembered the cave paintings his father had shown him in the Gambia and flicked now through the discoloured pages of his battered notebook to find the sketch he had made on a return visit many years later. A faded photograph had also been taped into the book and he cross-checked the two pictures.
Amidst the images of black men, women and children being herded like cattle onto a European ship was the man described by his father as the Oni or Great King. The mask he wore was depicted as a swirl of colour but, easily identifiable, was a triangular section of the forehead, painted entirely in startling red, completely out of keeping with the rest of the mask’s design.
While the rest of the mask had been designed in the fairly traditional style found throughout Africa, this triangular section, his father had told him, was one piece of the shattered Moon Mask . The rest of the mask had been fashioned around it, its shape and dimensions derived from the curve of the original forehead piece.
The Sarisariñama mask now held in his hands also had a section out-of-keeping with the overall character of it. Though it had once been coated in the same ochre paint as the rest of the mask, a roughly triangular section of it, this time its left hand jaw, tapering up to the point of the nose, was identifiable through the cracked paint. Again, it seemed obvious to King that this piece had been used as a base from which the shape and dimensions of the overall visage had been derived.
Actually holding the mask in his hands, King was now able to completely verify what he had always believed. Unable to discern further detail from the cave painting, he could see now that, in the case of the Sarisariñama mask at least, the rest of the mask had been constructed as if to accommodate the red metal of the original piece.
Feeling a swell of excitement bubbling inside, he hurried to the lab’s scanner and, ignoring the pounding thump of music and the sounds of laughter coming from the mess tent, he placed the photograph of the Gambian cave painting down on the glass. Working the controls, he enlarged the image to four times its original size and sent it to the printer.
“Hey,” Sid’s gentle voice said as she pushed through the tent flap. Beyond her, the summit of the table-mountain was bathed in silver moon light, the points of the camp’s tents silhouetted against a purple sky.
“Nate managed to squeeze a crate of beer into the helicopter’s hold. Everyone’s having a drink in the mess tent to celebrate our find. I think the man who made the find should be there.”
I doubt they’d miss me, he thought distractedly, knowing he was probably the least popular member of the dig. But, he knew his girlfriend wouldn’t take no for an answer. “I’ll be there in a moment,” he replied half-heartedly.
A drink in her hand, Sid moved inside the tent and stepped up behind him, wrapping her arms around his waist and kissing the back of his neck. In the low light of the tent his smooth features and dark African skin glowed bronze but he kept his gentle brown eyes focussed on what he was doing.
Sid frowned as she observed him pick up a sheet of tracing paper and use it to trace the outline of the forehead from the scanned copy he had just made:
Then he used another piece of paper and, placing the edge of the pencil against it, shaded in
Despite the differences though, the similarities were undeniable, even to Doctor McKinney and her ilk. The overall shape of the mask was identical to the depictions of the Bouda’s, derived by following the curve of a piece which was out of place.
He remembered the cave paintings his father had shown him in the Gambia and flicked now through the discoloured pages of his battered notebook to find the sketch he had made on a return visit many years later. A faded photograph had also been taped into the book and he cross-checked the two pictures.
Amidst the images of black men, women and children being herded like cattle onto a European ship was the man described by his father as the Oni or Great King. The mask he wore was depicted as a swirl of colour but, easily identifiable, was a triangular section of the forehead, painted entirely in startling red, completely out of keeping with the rest of the mask’s design.
While the rest of the mask had been designed in the fairly traditional style found throughout Africa, this triangular section, his father had told him, was one piece of the shattered Moon Mask . The rest of the mask had been fashioned around it, its shape and dimensions derived from the curve of the original forehead piece.
The Sarisariñama mask now held in his hands also had a section out-of-keeping with the overall character of it. Though it had once been coated in the same ochre paint as the rest of the mask, a roughly triangular section of it, this time its left hand jaw, tapering up to the point of the nose, was identifiable through the cracked paint. Again, it seemed obvious to King that this piece had been used as a base from which the shape and dimensions of the overall visage had been derived.
Actually holding the mask in his hands, King was now able to completely verify what he had always believed. Unable to discern further detail from the cave painting, he could see now that, in the case of the Sarisariñama mask at least, the rest of the mask had been constructed as if to accommodate the red metal of the original piece.
Feeling a swell of excitement bubbling inside, he hurried to the lab’s scanner and, ignoring the pounding thump of music and the sounds of laughter coming from the mess tent, he placed the photograph of the Gambian cave painting down on the glass. Working the controls, he enlarged the image to four times its original size and sent it to the printer.
“Hey,” Sid’s gentle voice said as she pushed through the tent flap. Beyond her, the summit of the table-mountain was bathed in silver moon light, the points of the camp’s tents silhouetted against a purple sky.
“Nate managed to squeeze a crate of beer into the helicopter’s hold. Everyone’s having a drink in the mess tent to celebrate our find. I think the man who made the find should be there.”
I doubt they’d miss me, he thought distractedly, knowing he was probably the least popular member of the dig. But, he knew his girlfriend wouldn’t take no for an answer. “I’ll be there in a moment,” he replied half-heartedly.
A drink in her hand, Sid moved inside the tent and stepped up behind him, wrapping her arms around his waist and kissing the back of his neck. In the low light of the tent his smooth features and dark African skin glowed bronze but he kept his gentle brown eyes focussed on what he was doing.
Sid frowned as she observed him pick up a sheet of tracing paper and use it to trace the outline of the forehead from the scanned copy he had just made:
Then he used another piece of paper and, placing the edge of the pencil against it, shaded in
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