lipum-Âstickum, youâd look darn pretty yourself. Put on a leather jacket and a dog collar and you might luck into a hot date at the Corral. Get your first squirt on the Tower of Power. So that buzzes him bigtime and he goes, If youâre going to get personal about this . . .â
Anyway, if the old cop wants to follow the computer trail, heâll have to turn the letter over to the cops in the technical section, and Brady doesnât think heâll do that. Not right away, at least. Heâs got to be bored sitting there with nothing but the TV for company. And the revolver, of course, the one he keeps beside him with his beer and magazines. Canât forget the revolver. Brady has never seen him actually stick it in his mouth, but several times heâs seen him holding it. Shiny happy people donât hold guns in their laps that way.
âSo I tell him, I go, Donât get mad. Somebody pushes back against your precious ideas, you guys always get mad. Have you noticed that about the Christers?â
He hasnât but says he has.
âOnly this one listened. He actually did. And we ended up going down to Hosseniâs Bakery and having coffee. Where, I know this is hard to believe, we actually did have something approaching a dialogue. I donât hold out much hope for the human race, but every now and then . . .â
Brady is pretty sure his letter will pep the old cop up, at least to start with. He didnât get all those citations for being stupid, and heâll see right through the veiled suggestion that he commit suicide the way Mrs. Trelawney did. Veiled? Not very. Itâs pretty much right out front. Brady believes the old cop will go all gung ho, at least for awhile. But when he fails to get anywhere, it will make the fall even more jarring. Then, assuming the old cop takes the Blue Umbrella bait, Brady can really go to work.
The old cop is thinking, If I can get you talking, I can goad you .
Only Brady is betting the old cop never read Nietzsche; Bradyâs betting the old cop is more of a John Grisham man. If he reads at all. When you gaze into the abyss, Nietzsche wrote, the abyss also gazes into you .
I am the abyss, old boy. Me.
The old cop is certainly a bigger challenge than poor guilt-Âridden Olivia Trelawney . . . but getting to her was such a hot hit to the nervous system that Brady canât help wanting to try it again. In some ways prodding Sweet Livvy into high-siding it was a bigger thrill than cutting a bloody swath through that pack of job-hunting assholes at City Center. Because it took brains. It took dedication. It took planning. And a little bit of help from the cops didnât hurt, either. Did they guess their faulty deductions were partly to blame for Sweet Livvyâs suicide? Probably not Huntley, such a possibility would never cross his plodderâs mind. Ah, but Hodges. He might have his doubts. A few little mice nibbling at the wires back there in his smart-cop brain. Brady hopes so. If not, he may get a chance to tell him. On the Blue Umbrella.
Mostly, though, it was him. Brady Hartsfield. Credit where credit is due. City Center was a sledgehammer. On Olivia Trelawney, he used a scalpel.
âAre you listening to me?â Freddi asks.
He smiles. âGuess I drifted away there for a minute.â
Never tell a lie when you can tell the truth. The truth isnât always the safest course, but mostly it is. He wonders idly what sheâd say if he told her, Freddi, I am the Mercedes Killer . Or if he said, Freddi, there are nine pounds of homemade plastic explosive in my basement closet .
She is looking at him as if she can read these thoughts, and Brady has a moment of unease. Then she says, âItâs working two jobs, pal. Thatâll wear you down.â
âYes, but Iâd like to get back to college, and nobodyâs going to pay for it but me. Also thereâs my
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