writing classes? She smiled and drew the thin cotton curtains across the glass. Or were they going to have a bath in a rusting tub and get ready for a meal out with a cousin they hardly remembered?
Meanwhile, the sudden emergence into her life of long-lost relatives, even dead ones, was a welcome diversion. And a change from beans on toast for supper.
The Poule au Pot was a hangover from the late sixties. It still had red and white checked tablecloths, candles stuffed into straw-covered Chianti bottles and a menu redolent of the era. Prawn cocktail, beef bourguignon and Black Forest gateau had been retained at the behest of the clientele, despite several changes of ownership and the fads and fancies of fashionable cooks and cooking. In fact, Fran knew from reading the magazines while she lurked in the paper shop, it was coming back into fashion, as, indeed, her rather down-at-heel area of London was itself. Nowhere would escape if it boasted a London postcode, which unfortunately meant that the prices were rising almost daily. When her landlord caught on, she knew she would no longer be able to afford even the Betjeman flat.
Charles was sitting at a table at the side of the room, underneath a large and somewhat romanticised depiction of French peasants disporting themselves in a cornfield. His grey head â grey! â was bent over a menu.
âHello, Charles.â She sat down opposite him as he tried to struggle to his feet. âDonât get up.â
He subsided and sat back in his bentwood chair. âFran,â he said. âYou havenât changed much.â
âRubbish. I was a child then, and now I look like my mother.â She looked at him consideringly. âYouâve changed. Your hairâs grey.â
He looked amused. âYouâre very direct, arenât you?â
âNot always.â Fran looked down at her hands. âI can dissemble beautifully if I have to.â
âOh? And you feel you donât have to with me?â
Fran looked up and grinned. âI donât do I? I knew that. But I did at The Laurels.â
âBefore we go into that, have a look at the menu.â Charles handed it over. âWhat would you like to drink?â
When they had given their order and both had a glass of a robust red vin de table in front of them, Charles started again.
âNow. Tell me all about The Laurels.â
Fran took a sip of wine and leaned back in her chair. âDo you mean tell you exactly what I did there and who I met?â
âYes. And try and explain again why you went.â
âThatâs difficult.â Fran frowned into her glass. âIt just came over me when you phoned. I felt suffocated. And then there was this absolute conviction that I had to go there. Thatâs all I can say. And then â¦â she looked up, âI got the same feeling again. When I was in her room.â
âWhich feeling?â
âThe suffocating feeling. I made a fool of myself Iâm afraid, but they put it down to shock and grief. I felt a complete fraud.â
âStart at the beginning.â Charles leaned forward and rested his chin on his hands. âIâm fascinated.â
Fran told him everything from her arrival at The Laurels to her departure, including her dream on the train. When she had finished and the waiter had served their respective starters of pate and soup, Charles poured more wine into their glasses.
âDid you say that Barbara had cleared the room?â
âYes.â Fran spooned up some onion soup. âExcept for a few dresses in the wardrobe.â
âThe bureau wasnât there?â Charles was frowning.
Fran shook her head and swallowed. âNothing. Even the television belonged to The Laurels.â
Charles stared absently at the French Peasants above him. âNo bureau. That was quick.â
âNo bureau.â Fran put down her spoon. âIs it important?â
âHer
Amy Meredith
William Meikle
Elyse Fitzpatrick
Diana Palmer
Gabriella Pierce
Beryl Matthews
Jasmine Hill
Lilly Ledbetter
David J. Morris
Lavada Dee